The Book Thief (2013)

The Book Thief 2013The Book Thief is an international bestselling book and yet, when I decided to see the 2013 movie adaptation directed by Brian Percival, I hardly knew anything more about its story other than the action is set in Nazi Germany. More often than not, films about wars with children in the lead role turn out to be heart wrenching dramas, which is why my expectation was set in that direction. Unfortunately, while there are a lot of things that I liked about the film (especially the intriguing voice-over narrative), it failed to involve me as deeply as some of the other films with similar themes: The Island on Bird Street (1997), The Boy in the Striped Pajamas (2008), or 4 Days in May (2011).

Not having read Markus Zusak‘s novel, I could only speculate about its qualities. But I find the common belief to be true — that usually books deliver much more captivating and emotional experiences than their movie adaptations. The adaptation of The Book Thief feels more like a fairy tale, at times, than a serious realistic drama. Such an approach to storytelling has its advantages. A lot of attention has been paid to the visual design of the production. Sets and costumes convincingly recreate the period of history in which the action is set. Yet, somehow the settings and the vibrant cinematography of the film upstaged the actors.

Nico Liersch and Sophie Nelisse in The Book Thief
Nico Liersch and Sophie Nelisse in The Book Thief

And speaking of acting, The Book Thief is one of those films in which an actor in a supporting role outperforms the lead actor. Despite less screen time for Nico Liersch as the faithful friend of Liesel (Sophie Nelisse), a young girl from whose viewpoint the story is largely told, Nico manages to fill his character with authenticity and impulsiveness. In comparison to his performance – the acting of Sophie Nelisse feels a bit stilted – even timid, so much so that I found it impossible to identify with the emotions of her character. I’ve found that identifying with the lead character is one of the essential requisites if one is truly to appreciate the Coming-of-Age nuances in any story. I was also not impressed with the performances of any of the members of the adult cast,  including Oscar winner Geoffrey Rush.

The objective point of view which director Brian Percival utilized ensured continuity of the narrative, but effectively resulted in boredom after the first hour or so. Keeping in mind that the amount of suspense in the story is minimal,  I find the screen duration to be unnecessarily stretched – over 130 minutes.

I did honestly enjoy some of the scenes, mostly those which portrayed the development of the relationship and trust between the characters of Nico Liersch and Sophie Nelisse. With a hint of humor, those scenes provided a welcomed relief from the otherwise pretty straightforward and chronological storytelling.

For those who enjoy a fairy tale manner of narration, Brian Percival’s adaptation of The Book Thief would fit in perfectly on a lazy Sunday afternoon.  But if you’re like me and prefer more realistic and emotional portrayals of the undoubtedly dramatic events that took place in Germany during World War II, you will be better off  looking elsewhere.

The Book Thief (2013) Trailer

Film title: The Book Thief
Release year: 2013
Director: Brian Percival
Cast: Roger Allam, Sophie Nélisse, Nico Liersch, Heike Makatsch, Julian Lehmann, Geoffrey Rush, Emily Watson and others
IMDb Page

2 COMMENTS

  1. I completely agree with your reaction to this film and would certainly enjoy seeing Geoffrey Rush play something else than a heart waring eccentric. But one other thing particularly irritated me: All the bad Germans (and even the children when they were forced to sing antisemitic songs) spoke in German with subtitles. But all the good Germans spoke English with an exaggerated German accent! This created the unfortunate impression that there was something inherently evil about the German people while the rest of us, of course, are inherently good. That is a very dangerous way to think about fascism. It would have been much more of an eye-opener for us Americans to hear crowds chanting “Yeah, Hitler!” and “Go! Victory!”

    • I was a bit irritated by the language usage of the film. It would have been much better if Germans spoke German – the accent was ” cute ” yet a bit implausible for a film set in Germany. And the product placement in the final scene was quite annoying too…

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