The Orphans – Original Director’s Cut

PodrankiFilms are predominantly made for entertainment. However some, such as the Russian movie The Orphans (1977) — thanks to its intelligently composed narrative — lead its viewers to powerful conclusions about life.  The main protagonist is a writer who is trying hard to make sense of the childhood experiences that crafted his personality.

The film opens up with a quote:

“Children and War – there is no more dreadful conjunction in the world between two conflicting realities”

looking for the past daysThe main protagonist remembers the times when he was a little boy, when he and his sister had to steal food in order to survive. World War II had just ended —  leaving them as orphans. The grown up writer narrates the story, telling us how his big sister, who was like a mother to him, died at the age of fourteen. From her, he finds out that they had two brothers who were adopted at an early age.  Then, through a series of flashbacks, the viewer witnesses the writer’s past while, at the same time, the adult writer begins an emotional  quest to reunite with a family he never got the chance to know.

The majority of his childhood years were spent in an orphanage run by the government, which employed retired soldiers who tried their best to care for the children who had lost their parents during the war.  The discipline is strict, the education military- like, but yet the devotion of the teachers to their students can be compared to that of the music teacher to his pupils in the French film Les choristers.

Alyosha now and then

The film belongs to the coming of age genre, yet it can also be described as psychological drama.  The story-telling is similar to what you would find in many memoirs,  concentrating on the  development of the personality of the main protagonist Alyosha (Aleksei Cherstvov).  Just like his hero, Director Nikolai Gubenko was orphaned during World War II and sent to a special home. His emotional involvement with the story (also written by him), combined with the exceptional performances of the actors and the moody soundtrack (Vivaldi, Marcello and Corelli), have crafted a real cinematographic masterpiece.

The only survivior

Be aware that the film features some very poignant scenes, which can have a deep impact on your emotions. For example, in one very touching scene involving a boy whose family was killed in a concentration camp, a close-up on the boy’s face (especially his eyes) conveys  all the horrible scenes he has had to witness.

The overall atmosphere of the film is melancholic and the action is moderately slow paced. The photographic qualities of the film are admirable. Some of the scenes are purposefully overcast, while others make use of natural lighting and framing to draw round an important moment of the character development (a similar approach to that  often used in the portrait photography). The camera  is mostly steady– making the viewer focus on the environment.

sad

Many reviewers compare The Orphans with Tarkovsky’s 1975 film Zerkalo. While both films were directed by two of the most influential names in the Russian cinema, The Orphans message is more universal and the film is more likely to appeal to an international audience .

TheSkyKid.com would like to thank cvmc.net for proving a review copy of the Original Director’s Cut of The Orphans. While the DVD does not have extras, it features restored scenes and easy to read English subtitles.

four stars ratingFilm title : Podranki (1977)
Alternative titles : Wounded Game,The Orphans,Winged Birds
Release data : 20 June 1977
Direct : Nikolai Gubenko
Cast : Aleksei Cherstvov , Juozas Budraitis,Aleksandr Kalyagin,Zhanna Bolotova,Rolan Bykov,Olga Strogova and others

2 COMMENTS

  1. Thank you for your comment Richard. The film is indeed very powerful – while it may get a bit depressing at times , it gives you a lot to think of while one sees it and after that.

  2. Very insightful review of a film dealing with the casualities of war. It will always be the children who suffer from the devastation inflicted upon them by warring nations.
    The horrific photo of the Vietnamese girl, burned from naplam, running for safety. It has been over forty years, but this iconic photo brings home the true victims of war.

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