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Agostino (1962)

Agostino movie poster

Movies are considered classic when they have passed the test of time. Such is the case with the Italian film Agostino based on the book first published in 1944- seventy years ago. To mark the anniversary of Moravia’s masterpiece, Simon and Schuster published a special edition of the novel curated by Simone Casini and we are offering you a review of the 1962 film.

Some of the best films I know were the ones made in the 60’s and 70’s. Agostino, directed by Mauro Bolognini, is no exception. The film is based on the novel of the same name, written in 1945 by Alberto Moravia.

Set in Venice, the film’s opening scene shows a  beautiful woman (Ingrid Thulin) and her young son (Paolo Colombo) on vacation.  Almost immediately, it becomes clear that the son and the mother are very close. Later in the film, this closeness helps us understand why Agostino, who is used to receiving his mother’s undivided attention, feels betrayed when she decides to go out with one of the local gigolos. She is a wealthy and beautiful widow, which explains why the local men are pretty fond of her, despite spending almost all of her time with Agostino around.

The film contains a variety of nuances and subtle hints, compared with unmistakable symbolism.  From a blurred childhood vision, the film transforms itself into a pretty clear image of the harsher realities of adulthood. The Coming-of-Age experience for Agostino allows the viewer to observe his progressive detachment from the fabulous atmosphere of childhood and his confrontation with the real world — observing his moments of anger and confusion in the process of growing up.

That is why Agostino immediately takes on a vaguely morbid tinge. It is not the story of just any boy. It is the story of a boy predisposed to a certain kind of experience.

Scene from the movie " Augustine " - Directed by Mauro Bolognini - 1962 - Actor Paul Colombo with other children
Scene from the movie  Augustine.  Directed by Mauro Bolognini – 1962 – Actor Paolo Colombo with other children

I was astonished by the acting performance of Paolo Colombo, whose facial expressions and attitude contributed significantly to the illustration of his character. The rest of the actors also did an excellent job in portraying their respective characters. In addition to that, the film displays excellent cinematography, which, despite being in black and white, is guaranteed to make quite an impression on its viewers.

I want to express my gratitude to CVMC for providing the DVD of the film Agostino. This review would not have been possible without their support.

 

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Mercy (2014)

Mercy

MercyThe countdown to Halloween has begun and, if you’re looking for a classic horror story featuring demons and evil powers, look no further than Peter Cornwell’s 2014 film Mercy. The fact that the film is based on a short story from Stephen King’s Skeleton Crew is enticing enough to attract the attention of both fans of the horror genre and those of the Coming-of-Age genre. Regarding the latter, mainly that’s because the best of Stephen King’s stories feature a young protagonist who struggles to overcome powerful forces and usually the experiences he/she goes through change their characters and take on the world forever.

Having two of today’s most prominent young actors in the lead roles, Joel Courtney (Super 8) and Chandler Riggs (The Walking Dead), is an enticing factor on its own. In particular, Chandler’s effective, natural and moving performance gives the story an edge, making up for its somewhat clichéd development.

Admittedly, seeing Chandler in the film almost makes one expect a walker (OK — a zombie) to sneak in. But, instead, one gets a chance to see why the young actor has such a vast following — considering the fact that in Walking Dead his character has episodic appearances. His talent for portraying emotions (being the method actor that he is) shines through in Mercy. Something in his eyes makes one easily identify with whatever character he is portraying.

As a bonus, the story is told from his point of view, with a moral lesson learned at the end, assuring a feast for fans of the Coming-of-Age genre.

Chandler Riggs as George in Mercy
Chandler Riggs as George in Mercy

As far as genre stereotypes go, Mercy has them all. Everything from a spooky setting to a socially reviled protagonist charged with the task of reestablishing normalcy (with a mentor figure/apprentice relationship (in Mercy’s case it’s a young girl who appears like an invisible friend of George (Chandler’s character). The film also has cinematography that makes use of shadows and low-key lighting, as well as an abundance of off-screen sound effects. All of the above are combined with a soundtrack designed to increase the anxiety and make the viewer feel unease.

The only disappointment comes from the fact that the remake of a classic story about witches and demons is not very original and the “scariness” of the film, as well as its overall cinematic value, is somewhat diminished as a result.

That being said – Mercy is a film that deserves a watch – especially around Halloween — even if one doesn’t make it a highlight of the evening.

Mercy Official Trailer

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You’ll Be a Man (2013)

Tu seras un homme
Poster of Tu seras un homme
Tu seras un homme
Poster of Tu seras un homme

You’ll Be a Man (Tu seras un home) is a delightful French film that, among other things, focuses on the conflict between conventional and unconventional lifestyles. As a person of an unconventional nature myself (my own assessment), I found the filmmaker’s manner of addressing the subject quite intriguing.

Twenty-year-old Theodore (Jules Sagot) has it rough. Failing to get accepted into a Parisian drama school, he faces not only the prospect of not being able to pay his bills, but also of losing his girlfriend (who did get accepted and is soon to depart for the French capital).

He solves some of his problem by getting a job as the babysitter of 10–year old Leonard (Aurelio Cohen), whose life has been altered by an accident he had when he was just five-years-old. His serious, hard-working dad wastes no time in warning the baby-sitter about his son:

“He is not like the other kids. He doesn’t swim, run or ride a bike. But he reads a lot.”

Although ten years older than Leonard, Theodore is a boy at heart and he soon wins Leonard’s friendship and appreciation by treating him as an equal. Director Benoit Cohen juxtaposes the relationship that develops between the two boys with that of the one between Leonard and his father who, while trying his best to provide for the family, dismisses most of the accomplishments of his son as juvenile, rendering them inferior in value in comparison to his own important professional life.

You’ll Be a Man is filmed predominately using an indirect subjective view, but also with an abundant use of close-up shots that allows the viewer to become more intimate with the feelings and emotions portrayed by the characters on screen. The focus lies mainly on the development of Leonard’s character as the result of his being treated as a person instead of “a prisoner in his own home“ – which is just about his status as a result of the overprotective parenting practiced by his father. The role of voluntary prisoner is assumed by another person who also inhibits the house …

Leo ( Aurelio Cohen ) and Theo (Jules Sagot ) in You’ll Be a Man
Theo (Jules Sagot and Leo ( Aurelio Cohen ) in You’ll Be a Man

Theodore becomes not only a friend but also a role model for the young boy. Yet the father (Gregoire Monsaingeon), who initially encouraged closeness between the babysitter and son, soon grows envious as he feels he has been replaced as an object of appreciation by Leo. Additionally, being a serious, hard working man like himself, he begins to view the cheery flamboyant nature of the babysitter as a threat to his son’s future development.

The story of the film and its conflicts are quite true to life and Director Cohen impresses by managing to showcase the dramatic importance in even the simplest everyday decisions. Aided by skillful editing and a moody soundtrack (that features great songs with both English and Spanish lyrics), he also managed to capture the essence of the emotions that his characters feel in the situations in which they find themselves.

Aurelio Cohen
Aurelio Cohen

Cohen cast his son Aurelio in one of the lead roles of his film – a justifiable decision based on the charm and talent of the young actor and the chemistry between him and Jules Sagot. The rest of the members of the cast also deliver excellent performances.

You’ll Be a Man is a film that leaves the viewer charged with positive emotions, especially taking into account that not all of the happenings in the film are of a happy nature. The film is a mixture of several genres – a bit of comedy, character study, drama and it’s also a road movie. It doesn’t excel in any one genre in particular nor does it carry important morals of truth about life (other than the need to find balance in everything we do), yet it still remains a pleasant film to see.

As a person who opposes conformity, I found the film more entertaining than people who believe in a strict following of social rules.  That might be another factor you may consider when you make the choice of watching the film or not.

You’ll Be a Man Official Trailer ( in French )

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Puberty (2014)

pubertyPuberty is accompanied by a great deal of physical and emotional change that could really confuse the person going through them. Naturally, some of the films with a Coming-of-Age thematic focus on puberty such as the Swedish 1980’s film Children’s Island (Barnens ö), Céline Sciamma`s Tomboy and the classic My Life as a Dog. (It comes as a surprise that there are not that many films one can list that focus exclusively on puberty).

Eleven-year-old Zach Shire wrote, directed and edited his own short film on the changes that inevitably occur in a boy. The title of his film is Puberty and, though it’s listed on IMDb, it can be seen on YouTube.

The aspiring young director’s target audience is primarily kids his age — who are more likely to listen to one of their peer on the subject.

The short film has a few flaws, but one should not judge it too harshly, keeping in mind that people who have grown up to become multi-million-dollar directors all started when they were young – just like young Zach.

TheSkyKid.com is committed to supporting young talent and we hope that the young director (and lead actor) of Puberty will continue to improve his art. In his film, he bravely addressed a theme that many kids his age would feel hesitant to and, what’s more, did it so he can help them understand that their confusion is normal and they should not be ashamed of discussing the changes that occur to them with their parents ( who have been through the same and survived).

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Sipur Hatzi-Russi (2006)

Love & Dance (2006)

Love & Dance (2006)When you have a film about life, about the magic of dance, about care and devotion – there is no more suitable title than Love and Dance.

Little Chen (Vladimir Volov) lives in Israel with his father and mother. His father is Israeli, but Chen’s mother is Russian, which makes him half Russian and, as such, naturally predisposed to the magic of dance. Yet, when the film opens and the viewers observe how Chen grows and learns about life — of what it means to respect a person; of what it takes to follow your dreams; of how to impress a girl and fall in love – in love with the music, in love with the dance and last, but not least, in love with a girl. The Coming-of-Age experience of the young actor, as well as that of his parents, teachers and friends, is essential to the story and truly rewards the viewer with a lot of knowledge and insights of what it means to stand up for yourself and chase your dreams.

[pull_quote_right]Courtship is a game. Show me that you know the rules[/pull_quote_right]

Love and Dance is a tender and emotional film. In some respects, the story line reminds me a bit of the one of the much touted film Billy Elliot (2000). If you have seen one of the two films and liked it, you’re going to the love the other one. The cinematography was excellent and the soundtrack tasteful and moody. The scenery chosen for most of the scenes  features impressive pictures on rooftops and on the beach of the desert province town of Ashdod.  Those shots are  breathtaking.  The magic of the dance is so skillfully captured by the camera that most viewers will be inspired by it. The plot of the film requires some scenes to be shot by a hand held camera, which adds a nice touch to the film as it makes the story more intimate and personal.

Sipur Hatzi-Russi Vladimir Volov and Jenya Dodina
Vladimir Volov and Jenya Dodina

One of the best aspects of Love & Dance is the wonderful acting performance by its entire cast (leads and extras).   Drawing another parallel to Billy Elliot and the performance of Jamie Bell as Billy, Vladimir Volov, who made his debut in the film, captures the hearts of the viewers by his natural charisma and emotional portrayal of his character.

Dancers, and everyone who appreciates the art of dancing, will like this film as it portrays (and I would like to stress this) the importance of dance as a language  — as a tool for transmitting information, emotions, feelings. And, indeed, through it Chen discovers his inner self. In addition to that, the viewer can observe how human feelings, expressed through dance, are able to break down barriers, which many times society imposes (cultural differences, gender stereotypes…etc) . While the story focuses on the children, audience members of all ages will enjoy this film as,  like often is the case with coming of age movies, we see a portrayal of our society through their eyes.

Love and Dance is written and directed by Eitan Anner. The film was released in October, 2006 in Israel under the title Sipur Hatzi-Russi. This film receives a high recommendation for anyone who wants to relive the wonders of first love and feel the magic  of music and dance.

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Introducing Hasan and Ibrahim Ignatovi

Hasan and Ibrahim
Hasan and Ibrahim

More often than not TheSkyKid.com introduces young talent who come from English speaking countries. Yet this does not mean that we don’t keep our eyes open for outstanding performers internationally.

That is how we happened upon two young musical prodigies from Bulgaria: Hasan Ignatov and his identical twin brother Ibrahim.

The young pianists come from a musical family. Their father, Denis Ignatov, plays gadulka (a traditional Bulgarian bow stringed instrument) in a folklore Shumen ensemble, while their older sisters sing traditional folklore songs. Yet Denis, who supports his sons in all of their musical endeavors, states that the musical pedagogue of the school they attend, Mariela Marynova, has played a crucial role in both the discovery and development of the twins’ talent.  “She is the person who opened a window to the world of classical music“ for the boys, he states.

The boys started to play the piano in 2011 when they enrolled in the high school Sava Dobroplodni in the city of Shumen, Bulgaria. In just three years, they have become true professionals. Their favorite composers are: Franz Liszt, Beethoven, Mozart and Pancho Vladigerov.

Hasan and Ibrahim admit an affinity towards the hardest compositions of their favorite composers. They find modern music somewhat meaningless, reasoning that often in such music there is just one harmony and the music does not evolve. The complexity and beauty of classical music has won them over and they hope to do their part in bestowing its magic to their audiences.

Hassan Ignatov – Musical moment – Rachmaninoff

http://youtu.be/-U_9csuA6Q8

The boys appear rather shy during interviews, but on stage they play with such skill and passion that it casts a spell on their audiences. While their peers play on the computer or are playing sports outside, the twins practice on the piano 3-4 hours a day — true to the maxim of Albert Einstein “Genius is 1% talent and 99% percent hard work”.

The brothers have won a variety of competitions in their home country, but they owe a great deal of their popularity to their appearance on the bTV program Slavi’s Show (one of the most popular talk shows in Bulgaria).

In just a few weeks, the boys will take part in the Junior Eurovision Song Contest – Malta 2014. There they will accompany Krisia Todorova who will sing her song Planet of the Children. Audiences from all the European countries participating in the contest will be able to vote for their performance on the 15th of November when the contest will be broadcast live from Malta.

Krisia, Hasan and Ibrahim – Planet Of The Children

You can watch more musical performances by Hasan and Ibrahim on their official YouTube channel

Hassan and Ibrahim on Facebook

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Book Review: What They Always Tell Us

What They Always Tell Us by Martin WilsonWhat They Always Tell Us by Martin Wilson is an interesting young adult’s novel which focuses on the family life and rite-of-passage of two brothers who live in Tuscaloosa, Alabama.

Its narrative is character driven and, while it includes coming-out themes with regards to one of the brothers, the duality with which the story is presented provides something of interest for everyone.

Author Wilson presents the life of the two brothers in parallel, having each chapter devoted to one of them so that the reader is able to get a grasp of their own subjective take on the events that happen to them and their lives as a whole.

The first person narrative by the two brothers (16-year-old Alex and the slightly older James) ensures that anyone looking for a kid’s eye view of the world and a recollection of Coming-of-Age experiences will not be disappointed.

“It dawns on Alex that Henry is sort of a younger version of himself—an outcast, a misfit. A weirdo. And he’s not even in middle school yet.”

An intriguing character in the book is 10-year-old Henry who suddenly moves into a nearby house with his mother. He is a sensible and smart kid who manages to strike up a friendship with Alex.

“A kid friend is better than nothing.” – that’s what James thinks about their unusual friendship.

As far as character development is concerned, Wilson leaves little to be desired.  One gets a pretty good idea of what’s inside the mind of a teenager – with all the typical ingredients: a struggle to fit in, a desire to be appreciated (loved), school and aspirations for the future …etc. Teenagers reading the book, especially those in the US, will find it easy to associate with one or more of the characters in the book.

“Some secrets parents can never know. They wouldn’t want to know, probably.”

The author wrote it true to life, with little or no pretense, controversy or sensationalism. Being used to reading adventure books filled with plot twists or that feature uncommon themes, I was initially afraid that I would be bored by a narrative presented in the manner of a television teen drama queen soap opera.  Yet, What They Always Tell Us grew on me as I felt I began to know the characters better and better with each chapter, and then I found myself wanting to see how it all tied together in the end.

One could say the novel won me over with its “normality”. It won’t move the reader to tears or otherwise provide for much emotional involvement, but it’s a good story focusing on important issues such as social isolation, peer pressure, teen sexuality, friendship and self-discovery.

Unlike other books I have read, I haven’t come up with many intriguing quote worthy phrases, yet the book premise promised and then delivered a decent reading experience for me, which is why I extend to you my recommendation for it.

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Kisses (2008)

Lance Daly - Kisses (2008)

When you kiss you give or you take

 

kisses Kisses, directed by Lance Daly, is a 2008 Irish film released in the USA two years later, in 2010. The lead protagonists are two 11-year-old runaways, Kylie and Dylan (Kelly O’Neill and Shane Curry).

Through their eyes, we see what life in the suburban outskirts of Dublin can be like — when there is a lack of understanding from parents and peers, and verbal and physical threats are mundane.

In that kind of neighborhood, kids discuss what they can become when they grow up, always concluding that it won’t matter much as long as they get to move away from their grimy neighborhood.

After a major scandal in Dylan’s house, during which he hits his father to protect his mother, he tries to run for his life but would not have been able to go far if it was not for the neighborhood girl, Kylie, who heard the screams from her bedroom windows. Finding themselves in big trouble, Kylie and Dylan decide to run away and attempt to make it on their own.

The film’s character development is mostly through dialogue, revealing a poignant mix of childhood playfulness and an awareness of the grim reality in both young protagonists.

Shane Curry
Shane Curry

Viewers can’t help but notice the Director’s play with the photographic properties of the shots—their tone is set by the usage of colours, which sets the mood in the film. The first and last scenes are shot in black and white, with a creative shift to bright colours occurring when the young protagonists embark on their journey full of hopes for a change to a better life.

The soundtrack of Kisses has a significant meaning in relation to the narrative structure of the film. Many of the backing tracks are songs performed by Bob Dylan, whose song, Shelter From The Storm, can be perceived as a theme song for the film, as that is what Dylan and Kylie are looking for – happiness (or at least a temporary shelter from the world that surrounds them). As with most Irish films, the viewer needs to be aware of the noticeable accent spoken by the actors. While this won’t be a big hurdle for most native speakers of English, others may find the dialogue hard to follow.

Kelly O’Neill and Shane Curry
Kelly O’Neill and Shane Curry in Kisses

The characters in Kisses are very believable, as both the young leads (who are on screen almost all the time) are newcomers to the cinema, which results in their acting being poignant and realistic. The Director chooses to introduce them and their mentality with background noises—the unmistakable sound of dysfunctional families. Both Kylie and Dylan find themselves actors in a play they never rehearsed for—either ignored or blamed for the failures and problems of their relatives.

kisses

Kisses is the third film directed by Lance Daly. Both of his previous works The Halo Effect (2004) and Last Days in Dublin (2001) share similar settings. One can even quickly draw a parallel between the main idea in Kisses (getting away from the mundane suburban life) and the personage in The Last Days in Dublin (2001), who is also embarking on a coming-of-age journey to world and self-discovery.  A more detailed analysis of the film may link it to masterpieces such as the French Les Diables or the Ken Loach film Kes.

The use of slow-motion in the last scenes emphasizes the undecidability of a final resolution for the young protagonists, sending them back to their stygian world. The film`s story is not unique. I have seen other Coming of age films with similar themes, such as Moonrise Kingdom, Fish Tank, and I Don’t Love You Anymore. Still, the way it is told reminds us that true escape is far more elusive than a single night’s adventure. The acting performances, the coming-of-age story, and the clever use of colour make the film well worth watching.

Official Trailer :

Title:   Kisses
Director:   Lance Daly
Country:   Ireland
Runtime:   72 Min
Cast: Kelly O’Neill, Shane Curry, Paul Roe, David Bendito

Get Kisses on Amazon.com
Kisses

Lance Daly - Kisses (2008)
Kisses (2008)
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The Rocket (2013)

the rocket poster
A poster of the film from Thailand

Why does cinema exist?

To tell stories of course! And it’s even better if the stories come from enigmatic exotic lands like Laos. The 2013 Australian film The Rocket, written and directed by Kim Mordaunt, invites its audience to journey into a land little known to the world: foreign customs and traditions, a distinct living environment, still surprisingly familiar traits of humanity and of the power of determination.

Ahlo, a young Laotian boy, is kept alive by his mother despite the superstitions of his tribe against twins (expressed through his grandmother, who helped with childbirth). The superstition seems that one of the twins is supposedly a reincarnation of evil – so no twin is usually allowed to live within the tribe. Later on, in Ahlo’s life, a tragedy strikes, and the superstitions and fears are remembered.

When Ahlo is ten, his family is forced to move by government forces, as a new dam is to be built, and the valley they occupy is to be submerged under water. The move brings unexpected consequences.

The plot of the film doesn’t shine with originality. We have all seen numerous Coming-of-Age tales about a young protagonist who, faced with a sudden change in his life, has to find in him/herself the strength and determination to overcome seemingly impossible barriers (prejudice, tragic death in the family, social and physical limitations –  to name but a few).

So once the challenge is revealed  (in The Rocket, it is a rocket launching contest), the ending to the film becomes quite predictable.   Yet, the beautiful cinematography, set locations, and, most of all, the performance of the young cast make the film worth seeing.

 "Once all struggle is grasped, miracles are possible." Mao Zedong

“Once all struggle is grasped, miracles are possible.”
Mao Zedong

The charismatic Sitthiphon Disamoe vividly portrays the character of ten-year-old Ahlo. A first-time actor, he has a similar life story to that of the renowned Brazilian actor Fernando Ramos da Silva, who starred in Pixote (1981). A film director chooses a street kid from one of the city’s poorer neighborhoods to be in his film.  The director recognizes the boy’s raw talent and naturalness in portraying emotions, as opposed to obviously acting. Disamoe appears to have been as equally unruly as De Silva was.  I stumbled upon an article in the Bangkok Post that stated that he had run from home and “has been found in an internet cafe in Bangkok nearly two weeks after he disappeared“.

Disamoe is witty and full of energy. It is not an overstatement to say that the director managed to display the essence of boyhood (with its ups and downs). For example, in one of the first scenes, he is shown laughing on a tied swing. It’s a scene filmed with a slow-motion technique that ensures that the viewer immediately establishes a connection with the character on screen.

Sitthiphon Disamoe and Loungnam Kaosainam as Ahlo and his best friend ( sidekick ) Kia in The Rocket
Sitthiphon Disamoe and Loungnam Kaosainam as Ahlo and his best friend (sidekick) Kia in The Rocket

The other significant child actor in the film is Loungnam Kaosainam in the role of Kia, a little girl who becomes Ahlo’s best friend (and his guiding light metaphorically).  She also delivers a credible performance – fully capable of melting the audience’s hearts with her sweet, innocent appearance.  The character development in the film for all but these two child actors (and sometimes even for them) is somewhat weekly executed as many things about the characters are implied in a more confusing than explanatory manner.

While everyone could benefit from an inspirational, feel good-story, young audiences (especially boys – because, hey – playing tricks and launching a rocket is somehow so boyish) are likely to enjoy the film the most while associating themselves with the young protagonist and cheering him on the way of achieving his goals.

The Rocket – Official Trailer

Watch the entire film on Amazon Instant Streaming:

The Rocket (English Subtitled)

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Ironsides (2009)

Ironsides is a story of two boys, each trying to win their father’s affections – one by fighting, and one by seeking peace.

Ironsides CoverAbuse, neglect, hatred, war, fighting, and bullying are not new to our society but seem to have escalated over the past few decades. Jomar Motion Pictures and writer/director Joel Greenberg addresses these issues and more in his film Ironsides, driving home a clear message that

NOTHING GOOD EVER COMES OUT OF VIOLENCE!

While I’m mostly drawn to big box office feature films, I am also an Independent film buff.  While most “Indies” are made with a much lower budget and sometimes even supported solely by donors, my approach to (and expectation from) these films is much different than for those that Hollywood pumps out while spending millions of dollars and utilizing hundreds of professionals.

In my personal e-mail exchange with Director Greenburg, I found that while nearly all of the actors who played in this film were right off the street with no formal acting experience, some of the leads did have more acting background and experience.

Toliver Crisp
Toliver Crisp

Toliver Crisp was, for the most part, quite skillful in his portrayal of eleven-year-old Randy Scott. Randy is a decent kid who spends much of his time doing his best to lay low from a family of brothers who constantly terrorize him and bully him enticing him to fight or, as they put it, battle!  Randy’s father,  played by actor Devin Eldridge, also did a good job in his scenes with Crisp, bringing out a very loving, mentoring father/son relationship and helping to establish the driving force in the film – Peacemaking.

While the father spent most of his time away from his son working as an exhibition boxer, when he was home he would encourage his son not to fight, explaining that his boxing was a job and actually one he hated.  It seemed that it would only take one more bout and the family would be reunited forever with his retirement from the sport.

Boys on beach
scene from Ironsides

 [pull_quote_center]I don’t know what’s worse, having no father or wishing you had no father[/pull_quote_center]

Meanwhile, on the other side of the community, there lived a family of three boys: Simon, Mike & Jimmy Coltrain. These boys lived in an environment of continual fear and abuse brought about by a father who was a delusional drunkard.  One scene substantiated that he may have been suffering from PTSD (post-traumatic stress disorder).

Unlike Randy’s father, who encouraged his son not to fight, these boys lived under a militant rule, forced to lift weights and exercise, and encouraged to go out and battle every day.  If the boys would lose or come home with an injury, they would be further beaten and abused.  In order to survive, the boys had to play the part.

Dalton Koike
Dalton Koike

While some of the scenes were not as convincing as others, young Dalton Koike (who played Simon) was the standout actor among this batch of sibling brothers.  While maybe not as experienced in acting, he carried his role very well as Ironsides – the boy who could take the punches.

While attempting to prove himself as a tough boy, even in an early scene, Dalton skillfully portrayed a quality of disbelief that he really wanted to be this character that his overbearing father was forcing upon him.

The film does offer some scenic footage but, for the most part, it’s quite simply made. The story itself is the strength of Ironsides.

On the down side, I did find some of the music a bit distracting, with a piano chord played over and over in a couple of scenes in the film. At times it was also too loud, to the point of overpowering the dialog between actors.

However, the music at the end of the film was very fitting. I only wish they would have used this music more throughout the film.  I also noted a few special sound effects that seemed not to fit in the film – like the sound of a motorcycle racing by while the small street outside could never have accommodated this event.

Some of the boys’ short fighting scenes were a bit unconvincing, while a few others were better.  These boys were all quite young and I also felt their use of a few minor expletives, while not necessarily inappropriate, were unconvincing coming from them.

These scenes actually could have been made without using the strong language. Overall, I think the film could have been even shorter – cutting much of the Fourth of July Carnival scene and leaving only the important scenes with the two leads doing their singing act.  Using that many inexperienced actors just did not add value to the film and made it a bit like watching a home video.

Overall, I still think the film is worthy of viewing and Director Greenburg should be praised for his outstanding effort to bring us this amazing story.

Extended Trailer

Summary

If you’re looking for a movie with action and special effects or eye dazzling scenes using skillful famous actors, then don’t watch this film. However, if you are looking for a film that is able to tell a story, open your eyes to what some kids have to contend with on the darker side of humanity, and see an amazing story unfold that brings together two boys who should never be friends, then this is a film for you.

Ironsides is a film that I would recommend because it drives home a message that is needed today:  lasting peace will only be won through forbearance, understanding, forgiveness and the true ability to understand and appreciate other backgrounds and cultures.

Quoting from Randy in one of the last scenes of the film he asks

“Do you want Peace or do you want War?”

Let’s all choose Peace!

Find more about the film at its Facebook fan page 

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Stew (2013)

stew 2013Tropfest – the short film festival in Australia  — has always been a place to discover superbly produced Coming-of-Age films. Marry Me in 2008 and Time and Revive in 2013 are just some of the titles that were first screened during the festival.

Today you are in for a real scare with Steven Woodburn`s 2013 movie Stew, a Tropfest 22 2013 finalist.

Stew is a film about the past coming back to haunt the present. A seemingly innocent situation triggers the memories of Bill (Malcolm Kennard) – about a dreadful experience of his childhood. He sees himself as a sensible youngster (Oliver Kennard plays the role of the young Bill) ready to receive …the STEW.

Sometimes things are not what they seem….

The film feels like an intensified version of the German fairytale Hansel and Gretel – fully capable of scaring adult audiences – and, even more so, younger ones. Utilizing slow-motion cinematography and sound effects commonly associated with horror flicks, director Woodburn manages to construct a chilling atmosphere. At the same time, the slow panning camera heightens the suspense and makes the viewer aware of the vulnerability of the young protagonist.

While the first scenes are not entirely convincing (the actors overact a bit), one gets sucked into the story as it develops. The soundtrack comprises just one song – Seven by Apes – but it’s used to significant effect in the final scene.

Having seen Stew, I liked the film …but am likely never to eat a bowl of Stew again.

Watch the entire film below :

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Review : Great Adventures (2012)

great adventures posterThe Australian filmmaker Gerard Lambkin invites the viewer to take an epic journey in his 2012 short film titled Great Adventures, joining ten-year-old Billy and his grandfather as they roam the high seas, cross the mighty Sahara, capture pirate treasures … and much more – every Sunday afternoon before tea.

Narrated in the first person, the story is told via a series of flashbacks through which the grown up Billy recalls the great adventures he took part in with his Gramps. The narration is passionate and the atmosphere tense, so there won’t be a single viewer’s heart that won’t throb with excitement.

Utilizing a creative mixture of sound effects and voice-over, the director manages to immerse the viewer into the wonders of the childhood imagination. The storytelling is packed with sensual and emotional stimuli that intensifies one’s sense of reality.

Skillful editing allows for some brief moments of unwind, which allows the viewer to take a breath while providing intriguing comic relief. Jack Henry, in the role of Billy’s granddad, and Levi Miller as Billy, play their roles so convincingly that if I were to set off on such an adventure,  I would consider it an honor to have them by my side. Likewise, Anthony Edwards, appearing as the grown-up Billy, narrates the story with a passionate voice and expressions, achieving a dramatic effect that makes the story powerful and memorable.

Jack Henry and Levi Miller in Great Advantures
Jack Henry (Grandpa) and Levi Miller (Billy) in Great Adventures

At the end of this six minute film, I was overwhelmed with emotions. I was further moved at the finale, discovering that the film had a much greater profound purpose than just a recollection of childhood memories.

So it is with no hesitation that I wholeheartedly recommend Great Adventures – a masterpiece of storytelling that viewers of all ages will adore.

Watch the entire film below:

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