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Little Manhattan (2005)

 

Little Manhattan posterTen-year-old Gabe (Josh Hutcherson) finds his first love when he meets his former kindergarten mate, the eleven-year-old Rosemary (Charlie Ray), in his karate classes. Confused by his new feelings and with the divorce process of his beloved parents, Leslie (Cynthia Nixon) and Adam (Bradley Whitford), he experiences the delightful unknown sensation of being in love for the first time.

It’s a shame Little Manhattan did not receive the attention that it deserved. It performed VERY poorly at the box office when it was released in 2005, and grossed just over $1,000,000.  The production budget was never released, but I’m more than sure they lost a substantial amount of money on this film

The actors in Little Manhattan (2005)
Little Manhattan (2005)
In short
A fantastic film that unfortunately deserved a lot more attention than it got upon its release.
4.1
OUR RATING
Where to Watch
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The Saddest Boy in the World (2006)

The Saddest Boy in the WorldThe Saddest Boy in the World is an avant-garde short film with a unique, vividly shocking style, which explores the inner world of a young boy overwhelmed with dark thoughts on the verge of his ninth birthday. The story is narrated in the first person, through flashbacks, by the young protagonist, Timothy Higgins (Benjamin B. Smith).

His childish voice in describing the events in his life adds a layer of authenticity to the film, though I confess I found it hard to understand him at times when he mumbled his thoughts. But, hey, he’s The Saddest Boy in the World, so that downcast manner of expressing himself is pretty plausible.

Imagine an essay topic assigned to a nine-year-old entitled: Why Am I Not Happy? The film can serve as a visual response to that question and more…

The quirky dark comedy has a decidedly melancholic atmosphere created by the excellent production design and editing. Bright colors and straight lines characterize most of the sets seen in the film. Benjamin B. Smith managed to choose the right expressions – of oblivion or desperation – and one could easily read the sadness that overwhelmed his character just by looking at his face.

Like most surreal pictures, different people react differently to a story filled with implicit meaning below a film’s surface. Not everyone enjoys films that challenge the viewer to interpret what the director is trying to say. Yet, The Saddest Boy in the World inspires a desire for interpretation — as indeed portraying a youthful depression can’t be the movie’s sole purpose.

[pull_quote_right]…Last summer, when I was kidnapped, my mother could not afford the random  …[/pull_quote_right]

In a way, the film makes the viewer compare his/her own life (or childhood) with that of the young Timothy. Everyone has had gloomy moments or misfortunes that, at the time, appeared like the worst thing one could ever experience. People tend to over-dramatize the happenings in their lives, which can often result in unexpected consequences…

Don’t over-dramatize – that’s the message I was able to decode for myself from Timothy’s story. Directed by Jamie Travis, The Saddest Boy in the World is included in The Saddest Children in the World trilogy (another short I have previously reviewed: The Armoire (2009).

As I did with The Armoire, I once again invite you to watch this film and draw your conclusions.

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Introducing Nicolas Motet aka Alexander Wood

Nicolas Motet
Nicolas Motet

Let me introduce you to a bundle of versatile young talent called Nicolas Motet, currently 14 years old, born and raised in France. His aura is like “Energy Drink”! He sings, he acts, he dances — not like a marionette but, rather, with the contagious vibrant power of a young Broadway star!

After reviewing Nico’s online presence, I am left with the gift of his bright smile, which is fun-loving and beaming and refreshing at a time when so much horrid conflict is happening in other places.

This young man is a showman; he loves the stage, the camera, the audience and the spotlight! In his video Let It Go! from Frozen, it’s apparent that Nico already has acting ability to add to his live singing.

In a solo dance video (which was filmed in August of this year), Nico is on stage to City of Angels (choreography by Regine Fugain) and we see a combination of classic ballet and modern dance moves. A recent report on Frances’s TV8 Mont Blanc illustrates why Nico is rapidly becoming a popular performer on stage and TV. It’s his hard work!

An Experienced Performer

The report shows Nico practicing his dance moves (the only boy among the gals) in a small studio. Yes, the price of fame is sweat and sometimes fatigue, but it’s hardly noticeable in Nico whose Mom is American, his Dad French.

The more I researched back into Nico’s past the more astonished I was at how much he had already experienced. Some of those early appearances on French TF1 and W9 TV must surely bring a grin to his face now, but WOW! —  look at those credentials!

Nicolas Motet Moments

Le Grand Show des Enfants is a nationally broadcast gala which he was on twice in 2010 and 2011.

Nico has been on The Disney Channel France in Shake It Up Dance Talents.

He won the youth category in 2012 on W9 TV on In Search of the New Claude Francois. Later that year, he made another national TV show appearance on TF1 in Qui Sera le Melleure ce Soir

Add this repertoire to his numerous stage and musical comedy shows in France and Switzerland, and you start to realize how much experience Nicolas has already gathered.

This month Nico was again on TF1 in the French “VOICE KIDS version, but was not picked past the “Battles” stage. Still smiling brightly, young Motet already has his eyes on a new musical program for the Disney Channel France. Just now I’ve also found a post for a concert in Moirans-en-Montagne on September 27th called Le Zalulu Concert, where he will appear with his friend Frankee (she’s a girl)!

A Sensible Showman

MotetThere are not many videos yet on Nico Motet’s YouTube channel. However, there is one quality production there that says much about Nico’s style. It’s a cover of Katy Perry‘s The One That Got Away, a song about losing your girl, which has a pounding beat. This fits his voice well, because he needs BIG SONGS with large, dramatic vocals. He’s a singer who can touch his audience with soft, sensitive passages, but who also loves to soar on those mountain high notes.

Also interesting is Nico’s on stage duet with Stacey King (17-August-2014) of Locked Out of Heaven,  in which the pure joy of this gifted performer is passed on in his powerful lively presence.

And one final noteworthy song — a sensitive duet with Frankee (ZEDD-Clarity ft. Foxes) with Nico playing keyboard and singing a fine harmony line with ease.

In the end, I am simply impressed by the obvious kick Nicolas gets out of performing. The Performing Arts are a good road for a young person with courage, persistence and ambition. Nicolas Motet possesses all of these, and I wish him well.

Intrigued? Follow  Nicolas Motet on YouTube

Update : 2/22/2018 – Nicolas Motet is now known as Alexander Wood

Alexander Wood: Alexander is my middle name and Wood is my mother’s maiden name. I wanted this project to stand out from the others because it is my first personal project.

http://youtu.be/rYF_CVvmvZI

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Fire from Heaven: A Book Review

Mary Renault Fire From Heaven

The Boy Alexander and His Rise to Power

Mary Renault Fire From Heaven

I first heard of Fire from Heaven (The Novels of Alexander the Great) by Mary Renault while reading another Coming-of-Age novel whose young protagonist, interestingly enough, also bore the name Alexander.

With one good book leading to another, I soon found myself greatly enjoying the story of the boy who grew up to become one of history’s most known and respected leaders.

The voyage from boyhood to manhood of the young prince of Macedon is comprehensively portrayed. Relying on true historical sources as much as possible, author Renault describes events from Alexander’s childhood, starting from the age of four.

The novel reads both like an adventure and a memoir, with abundant references to Greek mythology. It contains Alexander’s personal remarks and those of others who witnessed his upbringing.

“He was fond of the boy, who seemed to belong nowhere: too bright for the seven-year-olds, though not yet seven; too small for the older boys.

While the narrative is filled with historical and mythological references, it doesn’t feel like reading a boring textbook as the manages to explore the childhood of Alexander the Great credibly, yet movingly.

When Alexander reaches the age of seven, his tutor subjects him to a training inspired by the traditions of Sparta, which was aimed to “rear disciplined boys, hardy, uncoddled and respectful “. It’s training that his father encouraged but his mother disliked. “Sparta, symbol of past tyranny and present oligarchy….” Attention is also paid to the young Alexander’s scholastic training as well as well as to the life-lessons that shaped his personality – such as the answer his mother gives to his complaints when she curls his hair before his appearances before guests in the royal palace:

“Mother, you must stop curling it. None of the other boys have it done….

What is that to you? You lead, you do not follow..”

Alexander, as a boy, listening to Aristotle
Alexander, as a boy, listening to Aristotle

The emphasis that Mary Renault lays on the lifelong close friendship of Alexander and Hephaistion is essential to the book. It’s a friendship much like that of the Greek heroes Achilles and Patroclus and has become an ideal and a model of purity and reliance. With Aristotle being a teacher of young Alexander, it will come as no surprise that the book inspires the values of self-reliance, love and friendship in its readers:

…they discussed friendship often. It is, they learned, one of the things man can least afford to lack; necessary to the good life, and beautiful in itself…Friendship is perfect when virtuous men love the good in one another; for virtue gives more delight than beauty, and is untouched by time…”

One of the best values found in Coming-of-Age narratives, both in cinema and literature, is that one is able to learn a lot about life while at the same time reflecting on his/her own experiences — drawing parallels between them and those of the protagonists of the book or movie.

Fire from Heaven is filled with wisdom about life and gives a lot of food for thought to its readers, young and old alike. I ended up highlighting a lot of phrases, both to use in this review and for safe keeping. The phrases impress, even if taken out of context. But when one discovers them within a moving novel, they and their meanings engrave themselves in the readers mind.

At half-length I was thinking that novel would lose its appeal,  ceasing to be a Coming-of-Age narrative as Alexander left his boyhood days. Yet, as I read I found myself drawn to the decisions that he had to make – some as daring and mysterious as those of his youth. When I finished the book, I found that I had rediscovered my appreciation for the historical figure of Alexander the Great. I am in awe of the skillful craftsmanship of Ms. Renault.

Having enjoyed the book, I won’t hesitate to highly recommend it — even to those who have little interest in historical literature – as it greatly manages to keep one’s interest in its narrative.

“Time had misted the hardships; it had the taste of vanished youth.”

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VARMiNT (2012)

varmint short film

varmint short film Joel Knoernschild`s 2012 short film VARMiNT is one of the weirdest Coming-of-Age flicks I have seen of late. A bit surrealistic, it forces the viewer to seek his/her own interpretations of its narrative.

It takes a while for the story to start making sense and, when it does, one would likely recall a character from Rudyard Kipling‘s The Jungle Book stories: Mowgli.

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Little Lord Fauntleroy (1936)

Little Lord FauntleroyStarring one of the most prominent Hollywood child stars of all time, Freddie Bartholomew, the 1936 adaptation of Frances Hodgson Burnett’s novel Little Lord Fauntleroy has passed the test of time and is fully capable of engaging modern-day audiences as well as in the day it was originally released.

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Hide Your Smiling Faces (2013)

Hide Your Smiling Faces

Hide Your Smiling Faces“…Do you ever think about dying?…”

The title of the 2013 Daniel Patrick Carbone film Hide Your Smiling Faces serves well its role of attracting viewers while hinting about the film’s message. The film is a psychological drama that follows the rite-of-passage experiences of two adolescent kids: nine-year-old Tommy (Ryan Jones) and his 14-year-old brother Eric (Nathan Varnson) as they face a shocking tragedy.

Essentially, the film aims to portray the internal turmoil of the boys as real to life as possible.  However,  Hide Your Smiling Faces features a loose and discursive plot structure that does not even attempt to involve the viewer emotionally. Or, if it does try — it failed. The anti-sentimental point of view in which the story is told results in an objective, yet mind-numbing, character study of the young protagonists.

Grieving, friendship, sexual awakening, parenting and interpersonal relationships are just some of the motifs commonly associated with films in the Coming-of-Age genre and which are present in the narrative of Hide Your Smiling Faces. A word of warning:  people who like fast moving stories are likely to be disappointed by the slow pace with which the action develops in this film.

The sets (actual locations — mostly exterior), cinematography  (immaculate and creative framing) and musical score establish a melancholic tone that persists almost for the entire length of the film’s narrative.  Writer/director Carbone attains a unity of theme and a style for the film inspired by an accident in his own childhood.

Ryan Jones as Tommy in Hide Your Smiling Faces
Ryan Jones as Tommy in Hide Your Smiling Faces

Despite my best efforts to be as objective as possible, I must admit that I approached Hide Your Smiling Faces with high expectations, having read some reviews which praised its “poetic brilliance”. Taking into account my affinity for Coming-of-Age narratives, it was disappointing that I was not intrigued, involved or moved by the story. While appreciating the cinematic values of Hide Your Smiling Faces. I still found myself wondering when the film would end.

My general impression of the film is not much different from the one I had for another low-budget independent production released in 2013 Tom Gilroy`s The Cold Lands. Yet that same film was named “terrific and original “ by one of the regular readers on the site.

In the end it comes down to personal preference. While I can’t whole heartily recommend the film to a general audience, it is bound to find its appreciators among the fans of Coming-of-Age movies.

Hide Your Smiling Faces Trailer

http://youtu.be/pF_h0DX46qo

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Happy Birthday Timmy (2010)

Happy Birthday TimmyCould a film with a screen time of a bit more than two minutes combine a Coming-of-Age experience and a tinge of controversy? You bet it could!

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Introducing Matt Errs

Inventive Genius Matt Errs  

Matt ErrsMatt Errs calls himself a “One-Kid-Band”, and the logo on his Twitter reads “Music constructor. Follow with rhythm”.

 Matt, age 13, lives in Oakville, Ontario, Canada. As is evident in his 17 YouTube videos, he has an incredibly energetic, creative vein that is combined with a musical discipline on keyboard, piano and guitar. To top that off – he can sing!

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Camp (2013)

A troubled boy is sent to a summer camp that caters to abused and neglected kids who have ended up in foster care. One would expect a narrative full of dramatic events with such a premise. Unfortunately, Jacob Roebuck’s 2013 film Camp mislays some of the potential dramatic impact of its story due to its simplistic plot structure, a few clichés and the apparent intent of keeping the movie in a PG13 classification.

The simple story has its advantages – mainly an increased appeal to a broader audience base, much like the 2012 Walt Disney film The Odd Life of Timothy Green. Evidence for that can be found in the abundance of positive feedback on the DVD sale page at Amazon. Writer/Director Roebuck manages to get the film’s message across with a much smaller budget than a similar Disney production would have – and that’s an achievement on its own.

There are two main leads in Camp: Miles Elliot in the role of troubled ten-year-old Eli and Michael Mattera as Ken, an egocentric financial advisor who volunteers to be a counselor at  the camp so that he could impress a potential client. With these two actors leading the way, the cast manages to pull off an excellent ensemble acting performance. Fans of the Coming-of-Age genre will appreciate the opportunity to observe the personality transformation and development, in both of these characters, during the time they spend together in the camp.

Introducing Miles Elliot as Eli in the 2013 feature film CAMP Photo courtesy The CAMP Movie LLC/Roebuck Media.
Introducing Miles Elliot as Eli in the feature film Camp
Photo courtesy The CAMP Movie LLC/Roebuck Media.

The movie’s first scenes have a bit of a rushed and amateurish feel to them, but the overall production values seem to improve as the story develops. The atmosphere of the camp (Hume Lake Christian camp) where the action takes place is, for the most part, quite distinct from a similar camp portrayed in Jacob Medjuck’s 2008 film Summerhood. Both films, however, are essentially based on real stories, though Summerhood is more of a comedy while Camp has a more serious storyline. Both have very definite Coming-of-Age qualities and both manage to portray the special appeal and magic of the camp environment. That being said, I would choose the camp in Summerhood over the one in this film mainly because I’m not a big  fan of holding hands, praying or singing songs. But at least that environment helps Camp’s viewers get insight into why Eli thinks the camp is a lame place – at least initially.

Despite its shortcomings, in the end, Camp is a good film that doesn’t bore and offers some drama and emotion, even if those are somewhat limited. While I would hesitate to call it “heart-warming,” it is inspiring. And, after the final credits roll,  one does feel the desire to do something positive for a kid in need. That ought to be enough to recommend that you seek it out and watch it.

Camp Official Trailer

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The Kid Brother (1987)

The kid brother movieUnique! You have never seen a Coming-of-Age story like the one in The Kid Brother – a 1987 Canadian film.

But I admit I hesitated for quite a while before deciding to watch the film, a hesitation fueled by a fear that the film would be too depressing, given that the main protagonist is a 13-year-old boy whose pelvis and legs are absent.

A story of a kid with a disability – like most people just the premise of The Kid Brother was enough to make me nervous. I can’t say I am proud sharing that thought — a sort of anti-social sentiment of avoiding people with disabilities.

Watching Kenny Easterday playing himself in the semi-autobiographical film based on his childhood helped me to get out of my comfort zone and recognize the fallaciousness of the stigma and clichés about people with disabilities.

Thanks to the positive, optimistic attitude of this young boy, the character-driven narrative in The Kid Brother is engaging and entertaining. What’s more, its inspires individuality, love for life and even motivation for overcoming the struggles and challenges that everyone faces at one time or another.

Kenny Easterday plays himself in The Kid Brother
Kenny Easterday plays himself in The Kid Brother

Since the narrative about Kenny and his family is structured in a documentary format that a French Television network wants to show its viewers, the viewer of this film is presented with an intriguing mixture of regular and documentary-like footage.

While the overall mood of the film is positive, there are scenes that undoubtedly will evoke powerful emotions in the viewer.  Yet one doesn’t feel manipulated. Identifying with the characters on screen and perceiving the story of Kenny through their eyes feels like the natural thing to do. What would I have done? What would I have said or thought?  These are questions that The Kid Brother inspires in its viewers.

Witnessing Kenny’s innocent personal triumph, something that we don’t experience much in our adult life, is a rewarding experience on its own. A portrait of child empowerment, the film is suitable for young and adult audiences.

A Clip from The Kid Brother

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The Cold Lands (2013)

The Cold LandsSkip this film! Or watch it if you want to see how ten minutes of content can be turned into 140 minutes of excruciatingly boring film. Written and directed by Tom Gilroy, The Cold Lands (2013) is a Coming-of-Age flick with the aim of exploring the tribulations and transformations faced by 11-year-old Atticus (Silas Yelich) as his somewhat sheltered and carefree childhood comes to an abrupt end.

The Cold Lands (2013)
In short
The Cold Lands explores the trials and tribulations of its 11-yr-old protagonist, who's carefree childhood comes to an abrupt end.
2.3
Our rating
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