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Ironsides (2009)

Ironsides is a story of two boys, each trying to win their father’s affections – one by fighting, and one by seeking peace.

Ironsides CoverAbuse, neglect, hatred, war, fighting, and bullying are not new to our society but seem to have escalated over the past few decades. Jomar Motion Pictures and writer/director Joel Greenberg addresses these issues and more in his film Ironsides, driving home a clear message that

NOTHING GOOD EVER COMES OUT OF VIOLENCE!

While I’m mostly drawn to big box office feature films, I am also an Independent film buff.  While most “Indies” are made with a much lower budget and sometimes even supported solely by donors, my approach to (and expectation from) these films is much different than for those that Hollywood pumps out while spending millions of dollars and utilizing hundreds of professionals.

In my personal e-mail exchange with Director Greenburg, I found that while nearly all of the actors who played in this film were right off the street with no formal acting experience, some of the leads did have more acting background and experience.

Toliver Crisp
Toliver Crisp

Toliver Crisp was, for the most part, quite skillful in his portrayal of eleven-year-old Randy Scott. Randy is a decent kid who spends much of his time doing his best to lay low from a family of brothers who constantly terrorize him and bully him enticing him to fight or, as they put it, battle!  Randy’s father,  played by actor Devin Eldridge, also did a good job in his scenes with Crisp, bringing out a very loving, mentoring father/son relationship and helping to establish the driving force in the film – Peacemaking.

While the father spent most of his time away from his son working as an exhibition boxer, when he was home he would encourage his son not to fight, explaining that his boxing was a job and actually one he hated.  It seemed that it would only take one more bout and the family would be reunited forever with his retirement from the sport.

Boys on beach
scene from Ironsides

 [pull_quote_center]I don’t know what’s worse, having no father or wishing you had no father[/pull_quote_center]

Meanwhile, on the other side of the community, there lived a family of three boys: Simon, Mike & Jimmy Coltrain. These boys lived in an environment of continual fear and abuse brought about by a father who was a delusional drunkard.  One scene substantiated that he may have been suffering from PTSD (post-traumatic stress disorder).

Unlike Randy’s father, who encouraged his son not to fight, these boys lived under a militant rule, forced to lift weights and exercise, and encouraged to go out and battle every day.  If the boys would lose or come home with an injury, they would be further beaten and abused.  In order to survive, the boys had to play the part.

Dalton Koike
Dalton Koike

While some of the scenes were not as convincing as others, young Dalton Koike (who played Simon) was the standout actor among this batch of sibling brothers.  While maybe not as experienced in acting, he carried his role very well as Ironsides – the boy who could take the punches.

While attempting to prove himself as a tough boy, even in an early scene, Dalton skillfully portrayed a quality of disbelief that he really wanted to be this character that his overbearing father was forcing upon him.

The film does offer some scenic footage but, for the most part, it’s quite simply made. The story itself is the strength of Ironsides.

On the down side, I did find some of the music a bit distracting, with a piano chord played over and over in a couple of scenes in the film. At times it was also too loud, to the point of overpowering the dialog between actors.

However, the music at the end of the film was very fitting. I only wish they would have used this music more throughout the film.  I also noted a few special sound effects that seemed not to fit in the film – like the sound of a motorcycle racing by while the small street outside could never have accommodated this event.

Some of the boys’ short fighting scenes were a bit unconvincing, while a few others were better.  These boys were all quite young and I also felt their use of a few minor expletives, while not necessarily inappropriate, were unconvincing coming from them.

These scenes actually could have been made without using the strong language. Overall, I think the film could have been even shorter – cutting much of the Fourth of July Carnival scene and leaving only the important scenes with the two leads doing their singing act.  Using that many inexperienced actors just did not add value to the film and made it a bit like watching a home video.

Overall, I still think the film is worthy of viewing and Director Greenburg should be praised for his outstanding effort to bring us this amazing story.

Extended Trailer

Summary

If you’re looking for a movie with action and special effects or eye dazzling scenes using skillful famous actors, then don’t watch this film. However, if you are looking for a film that is able to tell a story, open your eyes to what some kids have to contend with on the darker side of humanity, and see an amazing story unfold that brings together two boys who should never be friends, then this is a film for you.

Ironsides is a film that I would recommend because it drives home a message that is needed today:  lasting peace will only be won through forbearance, understanding, forgiveness and the true ability to understand and appreciate other backgrounds and cultures.

Quoting from Randy in one of the last scenes of the film he asks

“Do you want Peace or do you want War?”

Let’s all choose Peace!

Find more about the film at its Facebook fan page 

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Stew (2013)

stew 2013Tropfest – the short film festival in Australia  — has always been a place to discover superbly produced Coming-of-Age films. Marry Me in 2008 and Time and Revive in 2013 are just some of the titles that were first screened during the festival.

Today you are in for a real scare with Steven Woodburn`s 2013 movie Stew, a Tropfest 22 2013 finalist.

Stew is a film about the past coming back to haunt the present. A seemingly innocent situation triggers the memories of Bill (Malcolm Kennard) – about a dreadful experience of his childhood. He sees himself as a sensible youngster (Oliver Kennard plays the role of the young Bill) ready to receive …the STEW.

Sometimes things are not what they seem….

The film feels like an intensified version of the German fairytale Hansel and Gretel – fully capable of scaring adult audiences – and, even more so, younger ones. Utilizing slow-motion cinematography and sound effects commonly associated with horror flicks, director Woodburn manages to construct a chilling atmosphere. At the same time, the slow panning camera heightens the suspense and makes the viewer aware of the vulnerability of the young protagonist.

While the first scenes are not entirely convincing (the actors overact a bit), one gets sucked into the story as it develops. The soundtrack comprises just one song – Seven by Apes – but it’s used to significant effect in the final scene.

Having seen Stew, I liked the film …but am likely never to eat a bowl of Stew again.

Watch the entire film below :

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Review : Great Adventures (2012)

great adventures posterThe Australian filmmaker Gerard Lambkin invites the viewer to take an epic journey in his 2012 short film titled Great Adventures, joining ten-year-old Billy and his grandfather as they roam the high seas, cross the mighty Sahara, capture pirate treasures … and much more – every Sunday afternoon before tea.

Narrated in the first person, the story is told via a series of flashbacks through which the grown up Billy recalls the great adventures he took part in with his Gramps. The narration is passionate and the atmosphere tense, so there won’t be a single viewer’s heart that won’t throb with excitement.

Utilizing a creative mixture of sound effects and voice-over, the director manages to immerse the viewer into the wonders of the childhood imagination. The storytelling is packed with sensual and emotional stimuli that intensifies one’s sense of reality.

Skillful editing allows for some brief moments of unwind, which allows the viewer to take a breath while providing intriguing comic relief. Jack Henry, in the role of Billy’s granddad, and Levi Miller as Billy, play their roles so convincingly that if I were to set off on such an adventure,  I would consider it an honor to have them by my side. Likewise, Anthony Edwards, appearing as the grown-up Billy, narrates the story with a passionate voice and expressions, achieving a dramatic effect that makes the story powerful and memorable.

Jack Henry and Levi Miller in Great Advantures
Jack Henry (Grandpa) and Levi Miller (Billy) in Great Adventures

At the end of this six minute film, I was overwhelmed with emotions. I was further moved at the finale, discovering that the film had a much greater profound purpose than just a recollection of childhood memories.

So it is with no hesitation that I wholeheartedly recommend Great Adventures – a masterpiece of storytelling that viewers of all ages will adore.

Watch the entire film below:

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Little Manhattan (2005)

 

Little Manhattan posterTen-year-old Gabe (Josh Hutcherson) finds his first love when he meets his former kindergarten mate, the eleven-year-old Rosemary (Charlie Ray), in his karate classes. Confused by his new feelings and with the divorce process of his beloved parents, Leslie (Cynthia Nixon) and Adam (Bradley Whitford), he experiences the delightful unknown sensation of being in love for the first time.

It’s a shame Little Manhattan did not receive the attention that it deserved. It performed VERY poorly at the box office when it was released in 2005, and grossed just over $1,000,000.  The production budget was never released, but I’m more than sure they lost a substantial amount of money on this film

The actors in Little Manhattan (2005)
Little Manhattan (2005)
In short
A fantastic film that unfortunately deserved a lot more attention than it got upon its release.
4.1
OUR RATING
Where to Watch
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The Saddest Boy in the World (2006)

The Saddest Boy in the WorldThe Saddest Boy in the World is an avant-garde short film with a unique, vividly shocking style, which explores the inner world of a young boy overwhelmed with dark thoughts on the verge of his ninth birthday. The story is narrated in the first person, through flashbacks, by the young protagonist, Timothy Higgins (Benjamin B. Smith).

His childish voice in describing the events in his life adds a layer of authenticity to the film, though I confess I found it hard to understand him at times when he mumbled his thoughts. But, hey, he’s The Saddest Boy in the World, so that downcast manner of expressing himself is pretty plausible.

Imagine an essay topic assigned to a nine-year-old entitled: Why Am I Not Happy? The film can serve as a visual response to that question and more…

The quirky dark comedy has a decidedly melancholic atmosphere created by the excellent production design and editing. Bright colors and straight lines characterize most of the sets seen in the film. Benjamin B. Smith managed to choose the right expressions – of oblivion or desperation – and one could easily read the sadness that overwhelmed his character just by looking at his face.

Like most surreal pictures, different people react differently to a story filled with implicit meaning below a film’s surface. Not everyone enjoys films that challenge the viewer to interpret what the director is trying to say. Yet, The Saddest Boy in the World inspires a desire for interpretation — as indeed portraying a youthful depression can’t be the movie’s sole purpose.

[pull_quote_right]…Last summer, when I was kidnapped, my mother could not afford the random  …[/pull_quote_right]

In a way, the film makes the viewer compare his/her own life (or childhood) with that of the young Timothy. Everyone has had gloomy moments or misfortunes that, at the time, appeared like the worst thing one could ever experience. People tend to over-dramatize the happenings in their lives, which can often result in unexpected consequences…

Don’t over-dramatize – that’s the message I was able to decode for myself from Timothy’s story. Directed by Jamie Travis, The Saddest Boy in the World is included in The Saddest Children in the World trilogy (another short I have previously reviewed: The Armoire (2009).

As I did with The Armoire, I once again invite you to watch this film and draw your conclusions.

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Introducing Nicolas Motet aka Alexander Wood

Nicolas Motet
Nicolas Motet

Let me introduce you to a bundle of versatile young talent called Nicolas Motet, currently 14 years old, born and raised in France. His aura is like “Energy Drink”! He sings, he acts, he dances — not like a marionette but, rather, with the contagious vibrant power of a young Broadway star!

After reviewing Nico’s online presence, I am left with the gift of his bright smile, which is fun-loving and beaming and refreshing at a time when so much horrid conflict is happening in other places.

This young man is a showman; he loves the stage, the camera, the audience and the spotlight! In his video Let It Go! from Frozen, it’s apparent that Nico already has acting ability to add to his live singing.

In a solo dance video (which was filmed in August of this year), Nico is on stage to City of Angels (choreography by Regine Fugain) and we see a combination of classic ballet and modern dance moves. A recent report on Frances’s TV8 Mont Blanc illustrates why Nico is rapidly becoming a popular performer on stage and TV. It’s his hard work!

An Experienced Performer

The report shows Nico practicing his dance moves (the only boy among the gals) in a small studio. Yes, the price of fame is sweat and sometimes fatigue, but it’s hardly noticeable in Nico whose Mom is American, his Dad French.

The more I researched back into Nico’s past the more astonished I was at how much he had already experienced. Some of those early appearances on French TF1 and W9 TV must surely bring a grin to his face now, but WOW! —  look at those credentials!

Nicolas Motet Moments

Le Grand Show des Enfants is a nationally broadcast gala which he was on twice in 2010 and 2011.

Nico has been on The Disney Channel France in Shake It Up Dance Talents.

He won the youth category in 2012 on W9 TV on In Search of the New Claude Francois. Later that year, he made another national TV show appearance on TF1 in Qui Sera le Melleure ce Soir

Add this repertoire to his numerous stage and musical comedy shows in France and Switzerland, and you start to realize how much experience Nicolas has already gathered.

This month Nico was again on TF1 in the French “VOICE KIDS version, but was not picked past the “Battles” stage. Still smiling brightly, young Motet already has his eyes on a new musical program for the Disney Channel France. Just now I’ve also found a post for a concert in Moirans-en-Montagne on September 27th called Le Zalulu Concert, where he will appear with his friend Frankee (she’s a girl)!

A Sensible Showman

MotetThere are not many videos yet on Nico Motet’s YouTube channel. However, there is one quality production there that says much about Nico’s style. It’s a cover of Katy Perry‘s The One That Got Away, a song about losing your girl, which has a pounding beat. This fits his voice well, because he needs BIG SONGS with large, dramatic vocals. He’s a singer who can touch his audience with soft, sensitive passages, but who also loves to soar on those mountain high notes.

Also interesting is Nico’s on stage duet with Stacey King (17-August-2014) of Locked Out of Heaven,  in which the pure joy of this gifted performer is passed on in his powerful lively presence.

And one final noteworthy song — a sensitive duet with Frankee (ZEDD-Clarity ft. Foxes) with Nico playing keyboard and singing a fine harmony line with ease.

In the end, I am simply impressed by the obvious kick Nicolas gets out of performing. The Performing Arts are a good road for a young person with courage, persistence and ambition. Nicolas Motet possesses all of these, and I wish him well.

Intrigued? Follow  Nicolas Motet on YouTube

Update : 2/22/2018 – Nicolas Motet is now known as Alexander Wood

Alexander Wood: Alexander is my middle name and Wood is my mother’s maiden name. I wanted this project to stand out from the others because it is my first personal project.

http://youtu.be/rYF_CVvmvZI

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Fire from Heaven: A Book Review

Mary Renault Fire From Heaven

The Boy Alexander and His Rise to Power

Mary Renault Fire From Heaven

I first heard of Fire from Heaven (The Novels of Alexander the Great) by Mary Renault while reading another Coming-of-Age novel whose young protagonist, interestingly enough, also bore the name Alexander.

With one good book leading to another, I soon found myself greatly enjoying the story of the boy who grew up to become one of history’s most known and respected leaders.

The voyage from boyhood to manhood of the young prince of Macedon is comprehensively portrayed. Relying on true historical sources as much as possible, author Renault describes events from Alexander’s childhood, starting from the age of four.

The novel reads both like an adventure and a memoir, with abundant references to Greek mythology. It contains Alexander’s personal remarks and those of others who witnessed his upbringing.

“He was fond of the boy, who seemed to belong nowhere: too bright for the seven-year-olds, though not yet seven; too small for the older boys.

While the narrative is filled with historical and mythological references, it doesn’t feel like reading a boring textbook as the manages to explore the childhood of Alexander the Great credibly, yet movingly.

When Alexander reaches the age of seven, his tutor subjects him to a training inspired by the traditions of Sparta, which was aimed to “rear disciplined boys, hardy, uncoddled and respectful “. It’s training that his father encouraged but his mother disliked. “Sparta, symbol of past tyranny and present oligarchy….” Attention is also paid to the young Alexander’s scholastic training as well as well as to the life-lessons that shaped his personality – such as the answer his mother gives to his complaints when she curls his hair before his appearances before guests in the royal palace:

“Mother, you must stop curling it. None of the other boys have it done….

What is that to you? You lead, you do not follow..”

Alexander, as a boy, listening to Aristotle
Alexander, as a boy, listening to Aristotle

The emphasis that Mary Renault lays on the lifelong close friendship of Alexander and Hephaistion is essential to the book. It’s a friendship much like that of the Greek heroes Achilles and Patroclus and has become an ideal and a model of purity and reliance. With Aristotle being a teacher of young Alexander, it will come as no surprise that the book inspires the values of self-reliance, love and friendship in its readers:

…they discussed friendship often. It is, they learned, one of the things man can least afford to lack; necessary to the good life, and beautiful in itself…Friendship is perfect when virtuous men love the good in one another; for virtue gives more delight than beauty, and is untouched by time…”

One of the best values found in Coming-of-Age narratives, both in cinema and literature, is that one is able to learn a lot about life while at the same time reflecting on his/her own experiences — drawing parallels between them and those of the protagonists of the book or movie.

Fire from Heaven is filled with wisdom about life and gives a lot of food for thought to its readers, young and old alike. I ended up highlighting a lot of phrases, both to use in this review and for safe keeping. The phrases impress, even if taken out of context. But when one discovers them within a moving novel, they and their meanings engrave themselves in the readers mind.

At half-length I was thinking that novel would lose its appeal,  ceasing to be a Coming-of-Age narrative as Alexander left his boyhood days. Yet, as I read I found myself drawn to the decisions that he had to make – some as daring and mysterious as those of his youth. When I finished the book, I found that I had rediscovered my appreciation for the historical figure of Alexander the Great. I am in awe of the skillful craftsmanship of Ms. Renault.

Having enjoyed the book, I won’t hesitate to highly recommend it — even to those who have little interest in historical literature – as it greatly manages to keep one’s interest in its narrative.

“Time had misted the hardships; it had the taste of vanished youth.”

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VARMiNT (2012)

varmint short film

varmint short film Joel Knoernschild`s 2012 short film VARMiNT is one of the weirdest Coming-of-Age flicks I have seen of late. A bit surrealistic, it forces the viewer to seek his/her own interpretations of its narrative.

It takes a while for the story to start making sense and, when it does, one would likely recall a character from Rudyard Kipling‘s The Jungle Book stories: Mowgli.

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Little Lord Fauntleroy (1936)

Little Lord FauntleroyStarring one of the most prominent Hollywood child stars of all time, Freddie Bartholomew, the 1936 adaptation of Frances Hodgson Burnett’s novel Little Lord Fauntleroy has passed the test of time and is fully capable of engaging modern-day audiences as well as in the day it was originally released.

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Hide Your Smiling Faces (2013)

Hide Your Smiling Faces

Hide Your Smiling Faces“…Do you ever think about dying?…”

The title of the 2013 Daniel Patrick Carbone film Hide Your Smiling Faces serves well its role of attracting viewers while hinting about the film’s message. The film is a psychological drama that follows the rite-of-passage experiences of two adolescent kids: nine-year-old Tommy (Ryan Jones) and his 14-year-old brother Eric (Nathan Varnson) as they face a shocking tragedy.

Essentially, the film aims to portray the internal turmoil of the boys as real to life as possible.  However,  Hide Your Smiling Faces features a loose and discursive plot structure that does not even attempt to involve the viewer emotionally. Or, if it does try — it failed. The anti-sentimental point of view in which the story is told results in an objective, yet mind-numbing, character study of the young protagonists.

Grieving, friendship, sexual awakening, parenting and interpersonal relationships are just some of the motifs commonly associated with films in the Coming-of-Age genre and which are present in the narrative of Hide Your Smiling Faces. A word of warning:  people who like fast moving stories are likely to be disappointed by the slow pace with which the action develops in this film.

The sets (actual locations — mostly exterior), cinematography  (immaculate and creative framing) and musical score establish a melancholic tone that persists almost for the entire length of the film’s narrative.  Writer/director Carbone attains a unity of theme and a style for the film inspired by an accident in his own childhood.

Ryan Jones as Tommy in Hide Your Smiling Faces
Ryan Jones as Tommy in Hide Your Smiling Faces

Despite my best efforts to be as objective as possible, I must admit that I approached Hide Your Smiling Faces with high expectations, having read some reviews which praised its “poetic brilliance”. Taking into account my affinity for Coming-of-Age narratives, it was disappointing that I was not intrigued, involved or moved by the story. While appreciating the cinematic values of Hide Your Smiling Faces. I still found myself wondering when the film would end.

My general impression of the film is not much different from the one I had for another low-budget independent production released in 2013 Tom Gilroy`s The Cold Lands. Yet that same film was named “terrific and original “ by one of the regular readers on the site.

In the end it comes down to personal preference. While I can’t whole heartily recommend the film to a general audience, it is bound to find its appreciators among the fans of Coming-of-Age movies.

Hide Your Smiling Faces Trailer

http://youtu.be/pF_h0DX46qo

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Happy Birthday Timmy (2010)

Happy Birthday TimmyCould a film with a screen time of a bit more than two minutes combine a Coming-of-Age experience and a tinge of controversy? You bet it could!

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Introducing Matt Errs

Inventive Genius Matt Errs  

Matt ErrsMatt Errs calls himself a “One-Kid-Band”, and the logo on his Twitter reads “Music constructor. Follow with rhythm”.

 Matt, age 13, lives in Oakville, Ontario, Canada. As is evident in his 17 YouTube videos, he has an incredibly energetic, creative vein that is combined with a musical discipline on keyboard, piano and guitar. To top that off – he can sing!

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