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The Christmas Miracle of Jonathan Toomey (1997)

The Christmas Miracle of Jonathan Toomey

The Christmas Miracle of Jonathan Toomey

A humane, heart-warming Christmas movie – without a trace of commercialism.  I thought that type of film would be hard to find. Yet this season The Christmas Miracle of Jonathan Toomey is the second such flick that I stumbled upon (the first was the Norwegian film Christmas Story, which I recently reviewed on this site). Based on a novel by the children’s author Susan Wojciechowski, the movie tells the story of a young boy named Thomas who struggles to come to terms with the demise of his father.  Upon his father’s death, Thomas and his mother are forced to move from their aristocratic family home in the city to the farmhouse of Thomas’s aunt, located in a small village in the countryside of England.

To bring a little past into their present, Thomas’s mother decides to ask a local woodcarver to create a replacement of the family’s Nativity Scene, which was lost during their move. The woodcarver is an irritable recluse who has an intriguing role in the social life of the little village. It seems no one knows much about him, and the kids of the village fear his presence. At first, the woodcarver refuses the job but, after a lot of convincing, eventually agrees to do it and even allows the unthinkable – the presence of the boy and his mother at his house while he works on their request.

The Christmas Miracle of Jonathan Toomey is a Coming-of-Age film as evidenced by the genre traits present in its narrative (overcoming hardships while adjusting to new environments). The premise of the story is essentially love, understanding and acceptance seen through the prism of faith and goodness to oneself and others. Yet the film does not feel preachy and manages to keep one’s attention for its entire duration.

I’m used to powerful endings, so I was a bit disappointed with the open ended finale of The Christmas Miracle of Jonathan Toomey. But, for some, that is the best way to conclude an inspirational, feel-good story.

Luke Ward-Wilkinson and Tom Berenger as Thomas and Jonathan Toomey in The Christmas Miracle of Jonathan Toomey
Luke Ward-Wilkinson and Tom Berenger as Thomas and Jonathan Toomey in The Christmas Miracle of Jonathan Toomey

The acting is a bit unusual. Director Bill Clark had the actors reciting their thoughts aloud while, on other occasions, they addressed the viewers directly in an almost theatrical manner. The young Luke Ward-Wilkinson, who plays in the role of Thomas, has a particular tenderness in his voice that makes his character appear all the more vulnerable. Yet it takes some time to get used to it (at first one may even feel slightly annoyed).  It’s a personal observation, but I have to mention it as the actor’s voice really made an impression on me. The rest of the child actors deliver good performances, which can’t be said for most of the adults who left a lot to be desired.

The Christmas Miracle of Jonathan Toomey Trailer

The film is essentially a period piece as it’s set in the first years after WWI. I truly enjoyed its visual appeal – the costumes, the props – typical for the era. Yet, while the production design was excellent, the usage of GGI (Computer Generated Imaginary) did not feel appropriate for a period film. The film’s beauty lies in its story – and the visual effects did nothing to enhance it in an appealing way.

The Christmas Miracle of Jonathan Toomey will appeal mostly to adult audiences, despite the fact that it’s based on a children’s book. Yet, the story is family-friendly so potentially the whole family may enjoy it.

rating

Film title: The Christmas Miracle of Jonathan Toomey
Also known as: Wunder einer Weihnachtsnacht ,Egy varázslatos karácsony
Release year: 2007
Director: Bill Clark
Cast: Luke Ward-Wilkinson, Tom Berenger,Richard Tyler ,James McDowell,Wallis Woodman and others
IMDb Page

Introducing Cole Armour

Cole ArmourNot everything this 14-year-old youngster from Langley BC has sung is brilliant, because he is still a voice maturing. But there are moments in songs like Oh Holy Night or All by Myself when Cole’s clarity and precise control convince me that he is an enormous vocal talent developing!

More than just that, Cole Armour has the heart to perform at many benefit and charity occasions such as concerts for Cancer Research, Children’s Hospitals and Animal Welfare.  There is an aspect of humanitarian Messiah in the appeal surrounding Ron Armour’s son.

A Christmas Story 2 (2012)

A Christmas Story 2

No, A Christmas Story 2 is not a sequel to the Norwegian film Christmas Story (Joulutarina) that I reviewed a few days ago.  This movie is, in fact, a sequel to a 1983 film of the same name directed by Bob Clark. Pitched as “The Genuine, Authentic, 100% American Christmas”, A Christmas Story 2 shares only one characteristic with the 2007 Norwegian production – it’s a Coming-of-Age narrative.

A Christmas Story 2 (2012)
In short
An appealing holiday film has a protagonist who falls in love/experiences a job for the 1st time, and learns that giving is more rewarding than receiving.
2.4
Our rating

Allez, Eddy! (2012)

Allez Eddy

Allez Eddy“People don’t like children who are different. That’s why it’s best not to go out…”

Do you believe that being different than the people around you will make you less likable?  The parents of Freddy Dermul do.  Freddy is a 10-year-old Flemish boy who has a problem with his digestive system and his parents try their best to protect their son from any possible embarrassment by explaining how cruel others can be to people different than themselves.

Tomas and the Falcon King (2000)

Tomas and the Falcon King

Tomas and the Falcon King

Set in the middle ages, Tomas and the Falcon King (Král sokolu) tells the story of 14-year-old Tomas (Brano Holícek) who lives with his father, grandfather and little sister and who helps his hardworking father take care of the horses belonging to the local ruler, Lord Balador. The boy possesses a unique ability: he is able to understand the language of animals and birds.

All My Loved Ones (1999)

“If your fear is greater than your love, I pity you.”

All My Loved Ones 1999Movies about events that took place in the years foreshadowing the outbreak of World War II, especially those whose plots involve children, are typically emotionally charged with stories no one can remain indifferent to.  Throughout the years, I have reviewed several for this site: Venice (2010), The Boy in the Striped Pajamas (2008),  Look to the Sky (1993) and The Island on Bird Street (1997).

All My Loved Ones (1999)
In short
The story of David and his saviour touched me in a special way and I am positive that other people who have seen the film have had a similar experience. A must see!!
Character/Acting
Score/Soundtrack
Cinematography
Storyline/Screenplay
Production
Direction
Reader Rating0 Votes
4.7
Our rating

Alec in WILDerland

Alec in WILDerland

“I don’t play videogames.  I play outside.”

 

Alec in WILDerlandReality shows are nothing new. Most of them don’t set admirable goals for themselves and, while some are entertaining, finding real value in them is a tough task. But then I stumbled upon Alec in WILDerland – an online web-series “aimed at teaching kids of all ages how to get outside, explore, and survive.”

So what makes Alec in WILDerland different from other popular reality programs such as Survivor or the Canadian reality show Survive This?

The Winds of Autumn (1976)

The Winds of Autumn 1976

The Winds of Autumn 1976Westerns – once they ruled the cinemas across the world.  Nowadays it seems that the only place where one can watch them is on specialized cable channels. That is probably why The Winds of Autumn is the only western Coming-of-Age film that I have seen so far. Beforehand, I must warn you that most of my impressions of the American West and its heroes I owe to the books of the German writer Karl May (and his characters Winnetou and Old Shatterhand), and I generally find the cinematic representations of the genre somewhat less satisfying.

The Winds of Autumn stars Chuck Pierce Jr. in the role of the eleven-year-old Joel Rigney — who lives with his God-fearing parents and older sister in a remote house in the wilderness of Montana. One day a family of outlaw runaways comes to the house looking for help for their hurt comrade. The story takes an unfortunate turn, and young Joel’s family is cruelly murdered despite their hospitality. Because he was visiting a neighbor when the massacre occurred, Joel escapes the fate of his family, but now he is all alone.  The council of elders gathers to decide who will take care of the orphaned child, yet all Joel wants to know is: Who is going to go after the men who murdered his family? The elders try to calm the boy by quoting a passage from the bible, reminding him that as Quakers, they see themselves as peaceful people opposed to meeting violence with violence.  To which Joel answers with another bible passage:

“And thy eye shall not pity; but life shall go for life, eye for eye, tooth for tooth, hand for hand, foot for foot.”

Deuteronomy 19:21

The scene in which Joel recites that passage in front of the elders probably contains the most moving moments of the whole film.

Vengeance – but can/should an eleven-year-old boy seek and obtain it? Will he find someone who would be willing to help despite the community’s religious beliefs? Will young Joel’s life end tragically, in a similar fashion to his family’s demise? To find answers to these questions, you will have to see the movie.

The camera is kept rather steady for most of the time – objectively recording the action.  This and the less than frequent appearance of the lead character (the young Joel) somehow limits the viewer’s ability to associate with him and his journey. The subtle Coming-of-Age nuance in the film is made all the more symbolic by setting the action in the Autumn season.  Autumn embodies an evolution from youth to a more mature part of life  and its cold winds, blowing mercilessly, wrench the leaves from the trees — leaving them barren.

Chuck Pierce Jr Yet the lead character’s age is the only thing that differentiates The Winds of Autumn from the typical western story of a protagonist who has had something wrong done to him in the past and is desperately trying to overcome his fears and bring vengeance to his enemies. Following established genre stereotypes is not necessarily a bad thing in and of itself.  But the movie left me wishing that the character of young Joel was better developed.

The Winds of Autumn is an adventurous drama that appeals to young viewers. Despite the film being released more than forty years ago, the story is as engaging as any modern-day adventure.

The movie at IMDB

Truth Be Told part 1: Greyson Chance

Truth Be Told Part 1 Greyson Chance

Truth Be Told Part 1 Greyson ChanceAfter the success of Hold On ‘Til the Night, INTERSCOPE RECORDS has released another Greyson Chance album, Truth Be Told Part I – this one with only five songs. It is, of course, difficult to follow-up an album like Hold On ‘Til the Night with its many hit songs.  But, in a style truly his own, these new tunes on Truth Be Told – Part I reveal a light and fancy-free Greyson, perfectly at ease in singing about his, or someone’s, infatuations and crushes.

The Sleepover (2012)

The Sleepover

The SleepoverSometimes I will choose a film to view/review after learning that it has won an award. This does necessarily only include awards given at big fancy ceremonies – but also online only ones such as the Cabin in the Woods/Lionsgate/Vimeo contest.  Of course I follow Coming-of-Age themed artworks and a film named after the universal childhood experience The Sleepover, directed by Chris Cullari, grabbed my attention.

Expecting some real chills from the horror themed short film, watching it was a rather disappointing experience. The Cabin in the Woods contest called for spoof horror films – those that mix comedy and horror.  The best example would be Keenen Ivory Wayans’s 2000 film Scary Movie. Mixing two genres together can be perceived as creative by some, yet it frequently results in just another time-waster — not capable of pleasing the fans of either genre.

The Sleepover‘s story is centered around an urban myth – a masked serial killer (you guessed right – a slasher film cliché) haunts the town of Derry (a homage to Stephen King). The existence of the masked man is known by everyone in town (the mothers even drive cars with bumper stickers that say M.A.S.K. – Mothers Against Serial Killers), but someone forgot to warn the new kid in time!

Five minutes is not much to get someone intrigued.  Yet I have seen short films that manage to — and The Sleepover is definitely not one of them. While the acting of Josh Feldman and Gus Kamp was fair, and the film started in a promising way, the ending ruined all the positive impressions that I had somehow gained from the film. Most of those impressions had come from the dialogue between the kids, which worked well as a tool to shape their characters and personalities. No doubt my personal bias toward films with no real conflict has influenced my opinion on The Sleepover,   so I urge you to see it (5 minutes is not that much to waste) and possibly prove me wrong.

The Sleepover

 Winner of The Cabin in the Woods contest.

Warning: features  scenes of violence that may be unsuitable for children under twelve 

The Odd Life of Timothy Green (2012)

The Odd Life of Timothy Green

The Odd Life of Timothy GreenEver since the trailer of Disney’s The Odd Life of Timothy Green was released, I have been urged to see the film and review it. With Disney involved one could rightfully expect to witness a modern day fairy tale filled with magic and positive messages. The story is unusual (to say at least): a childless couple receives an unexpected gift when a young boy covered with mud emerges miraculously in their house and claims to be the son they have always wished for.

The Wholly Family (2011)

the-wholly-family

Are movies capable of expanding the ways in which one sees the world?

Arguably yes – if one gets engaged in the story, entertained and/or inspired by it.  One of the sterilized approaches used in cinema, which aims to alter the viewer’s perception, is Magical Realism, which I briefly mentioned when reviewing Jan Jakub Kolski‘s film Venice. The short film I chose today combines the blending of reality and fantasy with surrealistic imagery, which links alternate realms of existence. Released in 2011, The Wholly Family explores the experiences of a young boy who accompanies his parents on a trip to the Italian city of Naples.  The movie is directed by Terry Gilliam, who most fans of the Coming-of-Age genre associate with his 1981 film Time Bandits (he also directed Brazil and 12 Monkeys).

Gilliam has a solid fan base. Yet, prior to seeing The Wholly Family,  I lacked the motivation to explore his works.  But this 17-minute short film, with its complex narrative and highly stylized visuals,  made quite an impression on me. The film was shot on location in Naples, and the city atmosphere, spirit and culture feel very authentic – that is if one is able to set apart the alternate universes that, while surreal, feel equally real. The plot offers several surprising twists,  some surprisingly shocking (one was shocking enough to make me feel the tension in my stomach – like one feels on a roller-coaster).

While the young lead is a boy (played by Nicolas Connolly), the film brings to mind Alice in Wonderland – with some black humor thrown in.  Yet, while I enjoyed the visuals, the score, and the narrative, the acting performances were somewhat disappointing. I would agree with Nickolas Devito’s comment on the film’s IMDB page that the supporting actors outperformed the leads (essentially the roles of the boy and his parents).  The Wholly Family has a certain re-watch appeal to it.  I found myself appreciating it more during a second viewing.

 

Another Art-House flick you may be interested in Baby Bump (2015)

The Wholly Family (2011)
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Reader Rating1 Vote
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