If you’re a frequent reader of TheSkyKid.com, you might have noticed that a great many of the movie reviews published on the site in 2011 are of new releases. Naturally, when a movie is in the theaters, the interest toward it is significantly higher than of one that can be only found on a DVD. Each genre in cinema has its timeless classics, including the Coming-of-Age genre. These classics are likely to present you with a whole new world of cinematic experience, intriguing storytelling, and, last but not least, in many cases its those classic films that have inspired filmmakers of the present day.
The Film Stage recently published a great article written by Jordan Raup entitledย 10 Classic Films You Must Watch Before Seeing Martin Scorsese’s ‘Hugo’. The article is aimed at both “diehard film fanatics and those just discovering the wonder of early cinema.” The 1969 masterpiece Franรงois Truffaut filmย 400 Blows inspired many of today’s films about adolescence and troubled youth. And Franรงois Truffaut himself was influenced by the works of the Italian director Vittorio De Sica, whose movieย The Bicycle Thief was cited by Turner Classic Movies as one of the 15 most influential films in cinema history. So today I decided to review one of ย those classic films of the Coming-of-Age genre directed by Vittorio De Sica – the 1946 film Shoeshine.
Postwar Italy. The streets of Rome are packed with children who work in order to earn a living and support their families. The two young protagonists of the film, Pasquale and Giuseppe, are best friends who make money by shining the shoes of the American soldiers who roam across the city. The boys work hard to pursue their dreams. And their greatest dream is to buy a horse, something they could actually take care of and call their own. Money is in short supply, so the boys happily agree when they are asked to help Giuseppe’s brother deliver some stolen American blankets to a customer in the city. The boys complete their task, but it turns out that Giuseppe’s brother and his partner took advantage of the boys, in their eagerness to make money, by using the delivery of the blankets as an excuse for the adults to enter the customer’s house while pretending to be policemen investigating the black market of stolen goods. Pasquale and Giuseppe are instructed to keep silent…
The real police authorities launch an investigation. The boys are recognized by the old lady who was scammed while attempting to purchase the army blankets. Brought in front of a commissar, they keep their promise and refuse to identify the adults who sent them to deliver the blankets. The next thing they know, they’re in a police car on their way to a juvenile prison, where they’re to remain until the investigation is over (it’s made clear that some investigations can last for years).
The juvenile prison in post-war Italy is not much different than its adult counterpart. Children as young as ten spend their days behind bars in cramped tiny cells. This harsh environment is the scene where the boys will soon lose their innocence, corrupted by the intrigues of their cellmates and prison guards. Their friendship is at stake…
The performances of the young Rinaldo Smordoni as Giuseppe and Franco Interlenghi as Pasquale are what made the biggest impression on me. The movie’s director, Vittorio De Sica, made sure that the narrative closely followed the two young boys and the transformations that occurred to their personalities once they were locked in the prison.
This 1946 film was shot in black and white as one might suspect. In the case of Shoeshine, the lack of color truly emphasized the gloomy atmosphere of the prison and the emotions of the two protagonists. Nowadays, you can witness a similar effect in some art-house films, sometimes shot purposefully in black and white. For someone used to color in movies, seeing the dramatic shades and shadows of the black and white image is quite a distinct experience. The film’s soundtrack is memorable, ย but I don’t have any comment on it aside from the fact that the music seemed oddly familiar.
The ending of the film is unexpected and dramatic. It reminded me of the ending of another classic Coming-of-Age film This Special Friendship (1964). Overall, I enjoyed Shoeshine. Admittedly, I started exploring classic titles and am gradually getting accustomed to them. Some can feel odd or weird at first because of the years that separate the viewer from their release. Yet my experience is that Shoeshine is as touching, emotional, and poignant as the recent releases reviewed at TheSkyKid.com



Last year when theSkyKid.Com initiated
I believe the first title that shall be mention in this article is
Speaking of the main protagonists, I believe this is the element that would most likely make the movie memorable for the fans of the Coming-of-age genre. It presented some new and obviously talented actors. Joel Courtney who played the title character in my opinion delivered a really emotional and touching performance. I was pleased to find out that he will soon be seen in the new screen adaptation of Tom Sawyerโs story. As mentioned in
I will confess that the first time when I found out about this movie, which was from a huge poster somewhere in the downtown, the thing that went through my mind was that this was the next action flick that presents nothing else but intense stimulation of oneโs optic nerve and ear drums. Seeing a trailer in YouTube had me convinced that it was the next computer game-like movie showing nothing else but spectacular fights about robots. Then I started coming across discussions in a places where I least expected to see. I thought that all this can not be a coincidence. Then it took me another few weeks to overcome my stubbornness and I went in the cinema with the expectation that I would waste my money.
What makes for the impact of this movie is the young Dakota Goyo.
I will only briefly mention the next two titles because at the moment when I am writing this article,
However, Hugo has already made an impact because of the appearance of the well known Asa Butterfield and because it is directed by Martin Scorsese. We shall also not ignore the campaign run by the distribution companies through the medias and the fact that it is made in 3D. Those features are enough to secure a movie which will be remembered in some way; no matter if the story turns out good or bad.
It will present another newcomer for this year; the young actor Thomas Horn who will play the main protagonist. Despite the film is not released yet, I am quite sure that it will make its impact and will remain remembered. If not else one can clearly see that the movie is already steered to the way of nominations, popular festivals and awards and is approaching to that path. Obviously that is all from 2011. Not all of course! I am sure that there is many more titles from around the world for which we will be finding out in the future.

Super 8 follows the story of five kids, growing up in a small town in 1979. Joe (Joel Courtney), our main protagonist, has lost his mother in a tragic accident and is learning to deal with the aftermath of this situation. His best friend, Charles (Riley Griffiths) is obsessed with film-making and is making his first Super 8 film, a zombie film. (For those of you who don’t know, Super 8 Cameras were massive back in the late 60’s through to the late 80’s, the reasoning for the name ‘Super 8′ is because the cameras used 8mm film stocks). Joe has been assigned as special make-up and sound on Charles’ film. Along with these two on the crew is Carey (Ryan Lee), Martin (Gabriel Basso), Preston (Zach Mills) and Alice (Elle Fanning). When the kids witness a train crash while shooting a scene for their film, their lives and the lives of everyone in their small town are turned upside down, and an adventure of grand proportions begins.

Be Yourself


2011 seems to be a real good year for the Coming-of-Age genre as we’ve seen a lot of good titles being released. ย The 2011 filmย The Kid with a Bike, aย ย co-production of Belgium, France and Italy, is directed by Jean-Pierre Dardenne and Luc Dardenne and is yet another poignant drama you don’t want to miss.



The 1980s saw more German films becoming widely distributed worldwide, especially since the introduction of VHS. Zoo, also known as Christiane F, Udi Edel, 1981 tells the story of a young girl’s downward spiral into drugs. The movie has a great soundtrack, featuring David Bowie.
Another film produced the same year and also focusing on Germany’s Nazi past is Das Schreckliche Madchen (The Nasty Girl), Verhoeven, 1990. Sonja is teenage girl working on a history project for school. She lives in a small town and little by little she starts to uncover the role the town played during the War. As she does so, the people in the town start to turn against her.
In more recent years, Sommersturm (Summer Storm), Marco Kreuzpainter, 2004, tells the story of Tobi and Achim, two teenage friends who go to summer camp. There, Tobi struggles to come to terms with his sexuality, as he realizes that what he feels for Achim is more than purely a platonic friendship.