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The Shots of Noah’s Ark (1983)

noahIf only present day’s filmmakers could come up with such an engaging story as the one featured in the 1983 German film The Shots of Noah’s Ark (original title: Die Schüsse der Arche Noah)!

Set in the last year of the Second World War in Nazi Germany, the movie tells the story of the trials and tribulations of Klaus Wensloff (Oliver Ohrt), a 10-year-old boy desperately trying to understand the difference between right and wrong in the contradictory world of adults and war.

The propaganda machine teaches him to salute Hitler at school and in the streets, his best friend is an enthusiastic Hitler Youth, while at home he witnesses his father falsifying ration cards, illegally listening to radio broadcasts from the Allies and even trying to provide a temporal safe place for the Jews. Moreover, an additional layer of confusion is added by the fact that Klaus is a God fearing youngster after his strongly religious mother but the father, following the communist ideology, rejects God and tries to explain rationally the miracles in the Bible.

Scene from The shots of Noah’s Ark
Scene from The Shots of Noah’s Ark

When the family is betrayed and forced to flee Berlin, Klaus is taken to a foster home in East Prussia. But he doesn’t get to live there very long as the soldiers of the Red army come and the Germans are forced to bolt. Surprised that the Russian soldiers are not the furious monsters the propaganda has portrayed them to be (as sub-humans carrying knives between their teeth and who butcher little children), Klaus hangs out with them until they decide to bring him to a Monastery, which houses other German children who have lost their families in the war. The challenges the young boy has to face have only just begun…

Oliver Ohrt as the young Klaus
Oliver Ohrt as the young Klaus

The Shots of Noah’s Ark is a prime example of a Coming-of-Age movie, as its story follows the alterations of the innocent youth mentality as a result of his experiences. The story is somewhat less violent than the ones featured in other movies focusing on children and war — such as Elem Klimov’s 1985 masterpiece Come and See, the 1962 Soviet film Ivan’s Childhood or the more recently released Wolf Children.  However, The Shots of Noah’s Art is equally engaging because of masterful directing and the wonderful acting performance of the young Oliver Ohrt in the lead role. Ohrt’s performance allows the viewer to associate with the character and not only see, but feel, his confusion and despair.

The shots of Noahs ArkThe original story in the film is told in both a dramatic and a human manner. It captures and holds the interest of the audience thanks to the skillful manner in which director Egon Schlegel amplifies the film’s reality. One learns a great deal about the daily life of German youth during the war years, from their exposure to propaganda and distinct ideologies, to witnessing the horrors of war.

Cinematographically, The Shots of Noah’s Ark impresses with the use of lighting to intensify the suspense of the scenes. The inclusion of documentary footage from the war boosts the authentic feel and credibility of the narrative.

A soul piercing story of an innocent boy who passed through the fear and confusion of war The Shots of Noah’s Ark will be appreciated by every fan of quality cinema.

Clip from the film

This film can be found at the company Icestorm Entertainment GmbH as a DVD available for purchase Contact Email: a.wittkowsky@progress-film.de

Boychoir (2014)

Boychoir

boy choir posterBoychoir.

Before even starting to review this 2014 film, I should disclose two things that are likely to have influenced my take on it: 1) my personal affinity towards treble music acquired by attending boys’ choir concerts, collecting musical albums and by reading books such as Martin Ashley’How High Should Boys Sing? (among others) and 2) the hype surrounding the film, which resulted in my anticipation of a Coming-of-Age masterpiece.

The film’s lead protagonist is Stet (Garrett Wareing), an 11-year-old whose harsh life leaves a mark on his youthful personality — making him unhappy and rebellious. He’s the epitome of a troubled kid: Stet has issues at school and at home primarily caused by his mother’s alcohol addiction.

The principal of the school he attends notices that, despite his unruly character, the boy displays signs of musical aptitude and has a beautiful treble voice. In an attempt to help him, the principal arranges a singing audition with the National Boy Choir – which doesn’t go as planned. Yet, when a tragedy takes the life of his mother, his distant father (who has another family) sends Stet to the National Boy Choir academy. Fitting in, in a completely new atmosphere, becomes a real struggle for the boy …

Garrett Wareing as Step in BoyChoir
Garrett Wareing as Stet in BoyChoir

Nobody likes predictable narratives, and even less so if that predictability is the prime result of clichéd scenes and stereotypical characters. Unfortunately, the biggest flaw of François Girard‘s film is that it rehashes scenes and happenings from similarly themed movies such as the 1962 Disney production Almost Angels and the 2004 French movie The Chorus (original title: Les Choristes). Even if one has never heard of the films I mentioned (and if that’s the case I highly recommend that you treat yourself and watch them), the crowd-pleasing, neatly arranged, manipulative manner in which the story in Boychoir is told is a bit insulting. And I believe that would hold true even for people who watch films purely for entertainment reasons.

Boychoir publicity still Photography By Myles Aronowitz
Boychoir publicity still Photography By Myles Aronowitz

Despite the storytelling shortcomings and the slight imperfections in the acting performance of Garrett Wareing in the lead role (which I am willing to attribute to incompetent directing), Boychoir is likely to be appreciated by fans of the Coming-of-Age genre and people who appreciate the purity and the supernatural beauty of the treble voice. The talent and the angelic voices of the real-life American Boychoir is what essentially charms the viewer and provides the viewing/listening pleasure one looks forward to in the cinema.

Boychoir Trailer 

My high expectations for the film were not met as I was left with the impression of a wasted potential – a missing indigent of the cinematic recipe which includes high profile names (Dustin Hoffman), angelic music and …not much else. Yes, like most Coming-of-Age titles, the film does teach life lessons and aims to inspire viewers of all ages. But the plot flaws and weak character development prevents total success from happening.

Comparing Boychoir with Les Choristeswhich manages to achieve an inspirational and touching blend of music, story and characters with which the viewer can get deeply involved, one fully realizes the significance of missed potential in Boychoir.

PS. Afterward, I found myself singing the songs I heard in the film, so it must have inspired me at least a little bit. But treble music would do that.

Do see it – the score makes viewing the film worthwhile.

On Drums: Michel Drummer

Set the pace!

When you sing you need to hit notes and keys, but when you drum you need to master beats, intervals and set the pace!

An 11-year-old boy from Hawaii, Michel Drummer, has already proved his skill pounding out rhythms and rolls to classic hard rock and heavy metal tunes by Deep PurpleLed ZeppelinMetallica, and many others. What’s more, at age 11 he has already amassed much live stage experience in places like The House of Blues (Las Vegas), Aloha Stadium (Honolulu), and Whisky a Go-Go in Los Angeles. Michel has also been on TV in Hawaii, California and the Philippines!

Michel Drummer official Website Art
Michel Drummer’s Official Website Art

Concentration and lots of physical energy

Listening to his YouTube playlist of live performances, you become aware of his natural talent to pick up intricate beats and pound out steady rock music.

Instead of using his vocal cords, this artist uses a repertoire of drums: A snare drum mounted on a stand, played with drumsticks, rutes, or brushes; A bass drum played by pushing a pedal with the right foot; one or more cymbals (there are various types-crash, ride, splash or china) played with sticks. And sometimes he utilizes a woodblock or cowbell for special effect. Michel is skilled in all of these and uses them to enhance and guide heavy rock tunes. It sounds simple, but their use requires concentration and lots of physical energy!

http://youtu.be/Q47sex9gcrw

Michel Drummer was born in January 2004 and has been drumming for a band called WolfingtonBy the age of six, he’d already pounded dents in Mom’s pots and pans, so family and friends contributed to buy him a real drum kit. Michel (pronounced Michelle, the French version of Michael) has shoulder-length, curly ash-blond hair, and beaming hazel eyes. His bright, positive disposition smiles through his tweets on Twitter, where he has lots of interaction. Aside from drumming, he’s into video games, reading, designing, surfing and swimming. Michel and his family will be leaving Hawaii at the end of July (2015) for a new home in California.

michaelBut this youngster has given some thought to his future as well. In addition to drumming, he likes maths and engineering and can picture himself in the field of science, like his role model Tom Scholz, who went to M.I.T. before starting the band Boston.

Michel knows a wide range of music to drum to: heavy and progressive metal; hard and alternative rock; classic and blues! And he has met and played with rock legends such as  Glen Hughes of Deep Purple and Bill Ward of Black Sabbath to name just two. You can check his complete list of rock associates connect on Facebook.com/micheldrummer.

My favorite video, proving his skills, is Everlong (by Foo Fighters) where he sets a fast pace and fills in with some intricate rolls. Check his pace transition in Heaven and Hell (by Black Sabbath) at the 9:20 mark- that’s a long tune!! Or check out Led Zeppelin‘s Rock n Roll at 4:10, where he really gets the whole percussion range snarling! Creeping Death (by Metallica) is another well-covered piece.

An Exclusive Interview

Michel calls all his older musician pals “uncles” or “aunts”, which is apparently standard in Hawaii. I asked Michel a few questions for the readers of TheSkyKid.com.

RJ: What will you miss in Hawaii?

Michel: I will miss my friends, musicians, uncles, schools, and beaches. And I’ll miss some really nice restaurants!

RJ: Had any unusual on-stage experiences?

Michel: Well, I’ve played with some legendary musicians.

RJ: Who motivates you?

Michel: Basically my music interests are from my Mom and from Uncle Brett, who is the vocalist in my band.

RJ: Fav films?

Michel: I like James Bond 007 films.

Michel has had the good fortune of landing in this musical milieu with experienced rockers. He is mostly self-taught, it seems. Yes, he wears custom Siemens earplugs! No, he does not practice all day! That’s all how it should be.

Continued good luck, many opportunities, and a bright new future in California!

rjm for theskykid.com

Goodnight Mommy (2014)

Goodnight MommyAfter watching a substantial number of films with somewhat similar plots, one can lose hope that an original narrative still exists out there. That is probably why I was pleasantly surprised by the abundance of plot twists and riddles offered by the Austrian directors Severin Fiala and Veronika Franz in their 2014 movie Goodnight Mommy (Original title: Ich seh, Ich seh).

The action in the film is set in an isolated, upscale home housing a family of three: identical twins Lukas and Elias (Lukas and Elias Schwarz) and their mother (Susanne Wuest). A past divorce and a subsequent accident (it isn’t entirely clear of what nature) significantly alter the otherwise harmonic life of the family. The mother had to undertake harsh facial surgery and, when she returns to her sons, her head is completely wrapped in bandages – giving her a scary appearance. And it’s not only just her physical appearance that’s changed but her complete behaviour is altered, especially towards her sons. The alteration is so significant from loving to abusive that the boys start doubting if the person wrapped in those bandages is their mother, who formerly showered them with kisses and affection.

Misleading tranquility
Misleading tranquility

Inevitably, reacting to the unkind demands of the mother, Lukus and Elias develop a sense of paranoia and mistrust, replacing their former carefree childhood innocence. Not able to bear the ongoing abuse that now takes a physical and a mental form, the two brothers decide to act upon their suspicion…

Until the very end (and arguably even after the final credits have rolled), one remains puzzled about the true nature of the events that have unfolded on the screen.  This uncertainty, combined with the highly charged atmosphere and suspense, keeps the viewer tense for almost the entire length of the film. It’s a riddle that one tries to solve — fitting together the pieces of information gained from the film’s protagonists’ actions and their surroundings.

Lukas and Elias Schwarz
Lukas and Elias Schwarz

Aesthetically, the film shares more common traits with the horror genre than with dramas, considering how the scenes are staged and shot. The cinematographic approach and the tense musical score give a nightmarish outlook to the setting – turning the family home into a dreadful domicile. Some scenes feature stomach-turning deeds that are sometimes shocking, making Goodnight Mommy a film that is not suitable for younger audiences and/or sensitive ones.

The gradual development of the characters, especially of the brothers Schwarz — whose fragile appearance is juxtaposed with the seriousness and determination of adulthood — introduces a Coming-of-Age motif to the narrative.

Trailer

Admittedly, if you view it, the plot twists may leave you a bit confused, but you won’t even get angry. Instead of just an easy to figure out, typical gory story, you’ll be presented with one that will engage your interest and challenge your perceptions of reality and fantasy.  After all, just because something exists only in one’s mind doesn’t mean it’s not real.

Recommended!

Goodnight Mommy (2014)
Watch it !
Goodnight Mommy has an abundance of plot twists and riddles presenting the viewer with a narrative that will engage your interest and challenge your perceptions of reality and fantasy.
4.8
OUR SCORE
Where to watch

Wiplala (2014)

wiplalaIf you thought that the time of magic has long gone by, the children’s movie Wiplala is more than capable to change your mind and amuse you while doing it.  Based on a popular Dutch children’s book and directed by Tim Oliehoek the film features an engaging and humorous story which brings back reminiscences of Selma Lagerlöf`s novel The Wonderful Adventures of Nils (A Coming-of-Age masterpiece on its own) and the popular American family films   Honey, I Shrunk the Kids and The Indian in the Cupboard (with the latter they even share similar poster artwork).

The protagonist of the film is the nine-year-old Johannes (Sasha Mylanus) who discovers a little man with mysterious powers in the kitchen cupboard of his home. “A Wiplala not a leprechaun” insists the little man shortly after we discover that he is not fully in control of his magical powers. Wiplala can tinkle (a kind of spell that paralyses whomever it is cast upon), but he always messes up the reverse spell – thus leaving the family’s pet (a cat he thought as of furry monster) in a very stiff state.

Things get even more complicated when Wiplala accidently shrinks Johannes, his sister Nella Della (Kee Ketelaar) and their father into a pint size. That brings even more danger to the situation, especially keeping in mind that Wiplala is not aware of a safe manner to reverse his spell without risking turning the whole family into stone statues as the spider he practiced on.

Scene from Wiplala
Scene from Wiplala

The fabulism/magical realism (acceptance of magic in the rational world) is so tightly integrated into the film’s overall stylistic that, immersed in the adventurous narrative, one is willing to accept that the events of the film may very well be part of Amsterdam’s life. And while the film is targeted for younger audiences, kids of all ages (at least at heart) will find it truly entertaining.

Sasha Mylanus in Wiplala
Sasha Mylanus in Wiplala

The cast and especially Sasha Mylanus (who is practically in every scene of the film) delivers an above average performance, which undoubtedly boosted the credibility factor of the otherwise thrilling fantasy movie.  When it comes to cinematography and camerawork, for the most part the visuals are on par with the film’s quality.  The exception is the special effects accompanying the magic doings of Wiplala, which could have been more subtle or convincing. Still, they are the only thing that hint of the relatively limited budget the filmmakers had to rely on.

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One is kept engaged and intrigued for the entire film’s duration, which indicated skillful editing.  All in all, Wiplala is an excellent family-friendly film which everyone will enjoy! Recommended!

Zindy, the Swamp Boy (1973)

Zindy the Swamp Boy poster

Zindy the Swamp Boy posterIt is the dream life for many boys – living in the jungle, having a rifle, monkey, and tarantula for best friends. Daily adventures and no school  — except when your grandfather makes you copy something from a book).

That’s the life of Zindy (René Cardona III), the 10-year-old protagonist of René Cardona Jr.’s 1973 Mexican adventure drama Zindy, the Swamp Boy.

When a cruel landlord kills the boy’s parents, his grandfather (René Cardona) takes revenge and, afraid for the life of his infant grandson, takes Zindy to a jungle home where they live a fugitive’s life. Hunting crocodiles and cohabiting with a chimpanzee and tarantula – Zindy has a hell of a life. Yet he wishes to prove himself and kill a fierce puma that wanders around the jungle swamp where Zingy and his grandfather live in a cabin.

Zindy (René Cardona III) and Toribio
Zindy (René Cardona III) and Toribio

Although, as a film Zindy, the Swamp Boy features a lot of imperfections (such as ridiculous sound effects, unnecessarily long shots in which nothing happens, and the slightly annoying English dubbing), the film is surprisingly fun to watch, often thanks to the wonderful “acting” of Toribio (Zindy’s chimpanzee friend). René Cardona III, in the lead role, does his best impersonation of the young Tarzan, such as swimming with a knife between his teeth toward a crocodile he is about to kill. His performance could have been even more convincing if not for the cheesy dialogue between him and his grandpa. As trivia (even if you may have already noticed), three generations of René Cardona’s are involved in this film: grandfather, son, and grandson. But, for me, only the youngest member of that acting/directing family made an impression.

Zindy and his grandpa
Zindy and his grandpa

Zindy, the Swamp Boy will probably be most enjoyed by a preteen audience who won’t be so picky about the film’s imperfections. I must admit that I quite liked the finale, which differs from many we are used to these days. It’s not a “must-see” film, but if you happen to come across it, you’ll be provided with a pleasant way of spending 85 minutes of your time.

The Kite (2015)

Kite PosterPortraying sexuality in cinema often results in controversial (in some people’s eyes) films due to the sensitive subject matter being treated. Yet a few brave directors have not hesitated to address the theme such as the Danish filmmaker Lasse Nielsen whose Coming-of-Age film You Are Not Alone (Danish: Du er ikke alene) has turned into a classic since its release in 1976.

In this article I will focus on Lasse`s newest short film The Kite (2015). Essentially a first-love, film The Kite opens with a fable inspired quote from Danish composer/singer Sebastian, who has collaborated with Lasse on several of his works. The main protagonists are two men who have managed to preserve the memories of the tender love they first discovered for each other in their youth. Their story is told via a series of flashbacks, in which a kite linking their past and present becomes a symbol of their happier moments in time (achieving dreams anchored in reality and exploring new horizons).

kite runners

The picture has an 80s feel thanks to the orthodox camera techniques (lens flare, slow panning and focus on objects to underline their importance to the plot) and mostly because of the melodic musical score that brings reminiscences of childhood. The nervousness and curiosity of youth are charmingly portrayed in the unmistakable style that fans of the genre remember from the special friendship of Bo and Kim (the protagonists of You Are Not Alone).  The lack of explicit scenes, in favor of glances filled with love and appreciation, makes the film suitable for audiences of all ages.

Loving gaze
Loving Gaze

The Kite is a charming short which, like any other art film, is not likely to have immense commercial success. Its writer/director stated in an interview for TheSkyKid.com that I conducted few years ago that he makes films with his heart  – and The Kite is proof of his words.

The Kite Trailer 

America’s Newest Sport (1962)

Then…

amBefore GoPro® cameras even existed, Bruce Brown crafted some terrific action-filled footage about skateboarding. That was back in 1962.

As an avid fan of skating (and vintage garb), I couldn’t resist featuring a short film with America’s Newest Sport enticing title. Of course, since the short was made for Hobbie (a skateboard manufacturing company) and its team, America’s Newest Sport could be regarded as an infomercial, but that doesn’t lessen its value – especially for anyone interested in the history of skateboarding. And, while all the information is available today on Wikipedia, seeing it on video is much more stimulating.

The 11-minute short film features audio commentary on several state-of-the-art maneuvers performed by a group of young boys. The commentary is both informative and funny, which provides for the film’s fun factor. Slow-motion and various camera angles are not what you typically expect from a 60s film, but they are all present. As fun trivia, two of the kids starring in the film are Steve and Davey Hilton, of the Hilton Hotel chain, uncles to Paris Hilton.

But you better watch it yourself:

… And Now

Now that you have seen the beginning, it’s time to introduce a talented skater of today who made a huge impression on me. His name is Tyler Kirshenbaum, and he is only 10-years-old. Despite his tender age, Tyler is an absolute ace and, while his skating profile still lists him as an amateur, there is not a tint of amateurism in his routine. Thanks to the wonders of modern technology – cameras and editing software (and of course a talented operator behind the camera) – the clip showcasing Taylor’s skills are nothing short of amazing, and I think it’s great to juxtapose it with the 1964 short film featured earlier in this article.

While TheSkyKid.com typically focuses on young talent in music and the arts, one should not forget that youth can express their talents in various ways. Skateboarding as a form of art is just one of many.

For more Skateboarding vibes, check out Skaterdater (1965) and the article introducing the Multi-talented Sky Brown

North Sea Texas (2011)

North Sea Texas 2011

Every moment of every day of our lives we make choices, reflect on our past and shape our future.  Yet sometimes we forget that the choices we make can affect the people around us too. The 2011 Belgian film North Sea Texas, whose story is focused on love and the confusion of youth, aptly addresses the importance of one’s decisions.

North Sea Texas (2011)
Watch it!
Based on a novel by Andre Sollie, "North Sea Texas" is a story focused on love, the confusion of youth, and the importance of one's decisions.
4.8
OUR SCORE
Where to Watch

North Sea Is Dead Sea (1976 )

Nordsee ist MordseeSometimes one stumbles upon a true cinematic gem from the past when exploring older films. Such is the case with the 1976 German Coming–of-Age film by Hark Bohm, North Sea Is Dead Sea ( Original title: Nordsee ist Mordsee). In it, 13-year-old Uwe (Uwe Bohm) finds himself slowly slipping into delinquency.

His character projects toughness like many other teens when they are aiming to appear cool among their friends. Yet, in one of the scenes, we see him playing with a remote controlled tank; in another, he allows his emotions to prevail evidencing childish vulnerability.

While the action is set in the years that the film was released, the 70s, Uwe’s Coming-of-Age experiences (and those of his friend) are universal and it won’t be hard for anyone to associate with the film’s protagonists.

A German website (prisma.de) mentions that the release of the film in its own country was delayed by 16 years by monitoring authorities who feared the imitation effect on young viewers.  This is in line with how accurately the rebellious spirit of youth is portrayed in the film (even if the ban itself is ridiculous – just as if Tom Sawyer and Huckleberry Finn was to be banned for portraying the adventures of mischievous boys).

Uwe`s gang and their victim
Uwe`s gang and their victim

Dysfunctional families, a hard working single parent,friends and foes among kids, and cruelty towards immigrants — sound familiar? Life really hasn’t changed much since.  Uwe’s living conditions are quite lousy due to his dad drinking too much and punishing his son physically when he sees fit. Yet, like father like son as Uwe doesn’t hesitate to deliver punches and bullying to a Chinese boy, twistedly perceived as a cool thing to do among his friends.

Weirdly enough, after Uwe gets into trouble with the police for a prank that he pulled (one that involves borrowing someone`s car without asking), and is severely beaten by his dad, it’s that bullied Chinese boy with whom Uwe decides to run away.  They sail down the Elbe River with a make shift boat and their escape turns into a real adventure …

Uwe (Uwe Bohm)
Uwe (Uwe Bohm)

Vintage buffs (like myself) will greatly appreciate the film`s visual design. It is not only artistically well suited to the film`s story, but it gives the whole film a boost in authenticity thanks to the settings that outline both temporal factors (fashions of the times) and the social structures and economic factors  of Germany in the 1970s. I wish that kids nowadays still wore the kind of clothes those in the film do (I would love them for myself as well). Although costume and makeup design have no other function than to set the film in a particular time period – fashion in the film is worth seeing for its own sake. It makes one wonder why fashions had to change to what we wear today.

Meaningful lyrics and great sounding pop-rock vibes by the German rock musician and composer Udo Landenberg comprise the film’s musical score. Throughout the film, the music — combined with the excellent camerawork –add another layer of meaning to the trials and tribulations of the young protagonists.

The finale of North Sea Is Dead Sea does not disappoint with a made up ending which earns it more points on my appreciation scale. Wonderfully acted, shot, and directed (Hark Bohm is one of the most prominent directors of German Coming-of-Age films focusing on youth, social tensions and social taboos), North Sea Is Dead Sea is well worth anyone’s time.

Trailer 

No Kidding (1960)

nokiddingWhile not precisely a Coming-of-Age flick (although some Coming-of-Age things do occur), Gerald Thomas`s No Kidding is a delightful comedy with quirky characters that are guaranteed to brighten your day.

The action revolves around a young couple who, after having a series of financial letdowns, decide to invest the last of their savings into turning the big mansion they have inherited into a holiday home for the offspring of rich parents, and they eagerly await the arrival of their first young guests.

But alas!  They have no prior experience in running a vacation house for children.  This isn’t helped because they end up making some poor choices in hiring personnel to help them run the place — staff that adds to their problems.

The couple is unsure what policies to set and decides to let the staff set the policy.  Big Mistake!!  For example,  the maid decides (against her husband’s wishes) to let the kids run wild — to enjoy their newfound freedom. Of course, this results in the kids growing increasingly ill-disciplined, presenting the couple with a real challenge of dealing with the situation.

To make things more complicated, an older adult who works for the local municipal council expresses her will to take over the family’s newly acquired property and turn it into housing for underprivileged local children.

Shot in black and white, No Kidding is surprisingly refreshing for a film released in the 60s. Most of the cast overacts in their respective roles but, through the prism of time, result in even funnier scenes. While the narrative is filled with stereotypes and is quite predictable, it well serves its role of engaging and entertaining the viewer.

Admittedly, I was initially drawn by the poster (and misled by it), but I was not disappointed with the film while my initial expectations proved wrong.

No Kidding (1960)
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Mud (2012)

Going through various experiences and coming out of them bruised yet wiser about life and its peculiarities is what most Coming-of-Age films aim to portray, and Mud excels in this task. Written and directed by Jeff Nichols, the film tells the story of two 14-year-old boys: Ellis (Tye Sheridan) and Neckbone (Jacob Lofland). They encounter a strange man named Mud (Matthew McConaughey) hiding on a small island on the Arkansas River.

Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) encounter Mud (Matthew McConaughey)
Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) encounter Mud (Matthew McConaughey)

Despite the classic linear dramatic structure of the narrative (introducing the characters, the complications and challenges they face and the denouement), Mud offers an intellectual challenge. The story is interesting enough to capture and hold the interest of the film’s audience and, while the rapid action scenes are reserved for the last thirty or so minutes, one never feels bored.

The character of Mud, an idealist who hasn’t lost the kid within, adds to the suspense as one tries to figure out just what kind of a character he is.  An unlikely role model, he becomes one to Ellis, an idealist himself (but then, aren’t all children?).

The aesthetic qualities of the picture deserve some recognition. By using a filming technique called “rack focus” which provides depth, combined with frequent close-up shots of the actors’ faces showing their reactions to what they’re experiencing,  the viewer’s involvement with the protagonists and their personalities is increased. At the same time, the locales where the film was shot and its overall stylistic suggest a resemblance to Mark Twain’s Tom Sawyer – especially considering that a river is such a notable backdrop for both stories. Of course the musical score of Mud, with its predominately backwoods twang, helps set the appropriate time period —  adding a certain American feel to the picture.

The film owes a lot of its appeal to the convincing performance of young Tye Sheridan in the role of Ellis.  In the 2013 David Gordon Green film, Joe, there’s a somewhat similar narrative about unlikely role models. The narrative is focused exclusively on the delineation of Ellis’s character, emphasizing the Coming-of-Age experiences he undergoes. His display of courage and self-ascertained behaviour make a real impression and earned him my respect, an impression I’m sure will be the case with many who view the film.

Ellis and Mud
Ellis and Mud

Tye Sheridan interprets the turmoil his character goes through in an authentic manner, making viewers question their own definition of “the right thing to do”.  Thanks to his acting talent, the characterization of Ellis comes across naturally, and one gets involved with the choices he makes.

Many of us face moments in our lives when the way things are supposed to be (friendship forever, all-consuming eternal love, etc.) collide with the harshness of a reality that’s much different. Mud offers its viewers an opportunity to witness the growing awareness of life’s realities that its protagonists experience.

Rack focus technique / Tye Sheridan in Mud
Rack focus technique / Tye Sheridan in Mud

My only frustration with the film was its finale, which somehow undermined the great impact of the otherwise well-told story. An open-ended dénouement would have been much more suitable than the “Fine-Tuning” the director/screenwriter opted for.

Mud is one of the best Coming-of-Age films I have seen, and I don’t hesitate to extend my highest recommendation.

Mud – Official Trailer