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Chance (2020)

Sometimes a plotline and cover art can invoke high expectations, which unfortunately are more than likely to remain unrealized. That’s the case with the 2020 American drama Chance. With a plot description stating: “A true story of a teenage love triangle leading to one of the two boys’ tragic death – told through the lens of elite youth baseball.” –  one is looking for a heart wrenching Coming-of-Age drama.

Still, while the narrative barely manages to build some tension after the one-hour time mark, one never gets engrossed in the story or develops a relationship with the on screen characters.

My disappointment with the film lies with the narrative, which is character-based, but lacks uniformity and a solid cause-and-effect relationship. You could take out the movie’s first hour, which follows the film protagonist from the tender age of six to his late teenage years in a linear and rather dull manner.

Jake Hertzman as the 12 year old Chance
Jake Hertzman as the 12-year-old Chance

Doing that would not affect the overall theme of the film in that first part. In that first hour, the story is perceived through a “Little League/youth baseball lens”, but only enough to establish a general atmosphere. It’s a cliched representation of an American childhood complete with country fairs and flags, prayers (even at the baseball field), etc. The cheesy soundtrack cheapens the film’s overall feel as well — a dead giveaway of a rushed production. 

16-Year-Old Chance (Blake Cooper)
16-Year-Old Chance (Blake Cooper)

Things improve in the second half of the film, with even the score improving slightly to bring tension to the narrative, so that an intrigue is now present. But it’s too little, too late and an hour of screen time is lost in vain. Some Coming-of-Age narratives may use the linear approach to develop the main character, but while we see him at various ages, the scenes themselves never really interconnected progressively.

The camerawork is principally OK, surprisingly more so in the first part of the film with scenes portraying Little League baseball games with excellent focal points and close-ups. Most of the cast manages to pull off good performances (even the kind of performances one would expect from a sitcom or a Hallmark special). Yet, the issues with the script and the mediocre direction ruin the experience. 

Chance – Trailer 

[imdb]https://www.imdb.com/title/tt7915464/reference[/imdb]

Chance (2020)
In short
A disappointing film that attempts to portray the life of a boy, Chance, from the age of six to 16.
Character/Acting
Score/Soundtrack
Cinematography
Storyline/Screenplay
Production
Direction
Reader Rating0 Votes
1.5
Our rating
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First Strike (2017)

“On an empty country road in the ’80s Romania, a little boy’s imagination runs faster than death.”

Beautifully shot, the Romanian short film First Strike (original title: Prima Lovitura) offers a puzzling and enigmatic narrative. The action takes place on a lazy Sunday afternoon in the middle of the summer, opening with a ten-year-old lad (Oskar Kerek) daydreaming on the backseat of a family car during a road trip.

High up on a tree, another boy observes the passing car. His appearance, surprisingly similar to the boy inside the vehicle, changes the audience’s perception. From this moment on, the focus gets shifted to this new character and his dangerous ventures. Wearing face paint and wielding a stick shaped like a spear, this new character looks like a tribal warrior on the warpath. And, for a moment there, one gets the feeling that the filmmaker’s primary goal is to showcase that intertwine between imagination and the reality of childhood.

Oskar Kerek
Oskar Kerek in First Strike

Yet, as is often the case in a short film narrative, there is a deeper meaning infused into the story, which is revealed in the final scene. The film’s director relies primarily on visual storytelling. There is no dialogue, and the musical score (predominately comprised of piano pieces) is minimal.

First Strike Trailer 

The enigmatic nature of the narrative is the best feature of the film. Complete with skillful camerawork (you will note intriguing high vantage shots) and a moody atmosphere, it’s a suitable choice for anyone appreciating the short form in the Coming-of-Age cinema.

Making of Gallery

Official website

[imdb]https://www.im db.com/title/tt7321948/reference[/imdb]

Wild America (1997)

In William Dear‘s Wild America, a trio of brothers in the 1960s embarked on a journey across America to film endangered wildlife.

The film is narrated in the first person by its youngest protagonist, Marshall (Jonathan Taylor Thomas), with internal monologues offering direct access to the inner world of his thoughts.

This approach introduces a nostalgic vibe to the story (almost like reading an excellent Coming-of-Age novel). Yet, it doesn’t diminish the fun and adventurous spirit of the narrative.

Undoubtedly, much of the film’s appeal is owed to the acting talent and charming appearance of the young Jonathan Taylor Thomas (thus the many close-ups on his face reacting to various happenings and sayings). For many of his fans (past and present), JTT’s name would be enough of an enticement to give the film a chance.

Jonathan Taylor Thomas in Wild America
Jonathan Taylor Thomas in Wild America

The adventures are in abundance. After all, in how many films would you witness a young boy thrown into all kinds of bizarre situations — close to bears, crocodiles, and highly angered moose? Most of the film’s events are unlikely to happen in real life, yet one has to cut some slack for a movie whose primary goal is to entertain, be it through silly yet thrilling ventures.

The film’s plot is inspired by the documentation of Mark Stouffer‘s real-life experiences and those of his two younger brothers. Therefore, it is also possible that my envy for the boys’ adventures hinders my judgment of the implausible possibility that such adventures (singing a lullaby to the bears, feeding a crocodile with a flashlight, riding on the horns of an angered moose) ever happened.

For a film released in 1998, many of the scenes remain relevant to present-day youth, featuring daredevil stunts and risky, adventurous challenges in the pursuit of that killer video clip destined to go viral. So, in a way, the film’s fast-paced scenes will appeal especially to preteen audiences who may forgive the narrative’s lack of consistency or the incredible, clichéd finale.

I didn’t take much from this film and didn’t consider it a fine example of coming-of-age cinema, but neither was I bored while watching it. While I can’t extend a wholehearted recommendation, the film would make a perfect choice for a relaxed Sunday afternoon.

Trailer

[imdb]https://www.imdb.com/title/tt0120512/reference[/imdb]

 

Wild America (1997)
In short
A trio of brothers in the 1960's set out across America to film endangered wildlife, narrated in the first person by its youngest protagonist played by Jonathan Taylor Thomas.
2.3
Our rating
Watch now for free

Ballerino (2018)

Ballerino (2018)Stephen Daldry‘s masterpiece Billy Elliot long ago received a classic status in world cinema, which is why when I first glanced at the poster of 2018’s short film, Ballerino, I assumed that the film would probably be a refresh of the classic story (some of our readers had not even been born when Billy Elliot was released). Yet the film itself turned out to be an upside–down representation of the world portrayed in Daldry’s classic film – in which, instead of a boy passionate about dancing, we have a boy who dances, but is passionate about soccer.

While society has undergone many changes and developments since the year 2000 when Billy Elliot was released, Ballerino‘s story still doesn’t ring true.

This is not the first example of an alternative universe approach in cinema. That approach has been utilized in many short films, such as Kim Rocco Shields‘s, Love Is All You Need?.

Still, the plot overall feels a bit soulless without a touch of humour, in some of the touching scenes, that would make the audience sympathize with the young protagonist.

Coming-of-Age motifs are present in the narrative, but the film could benefit from a bit of cinematic glitter in terms of how the camerawork and cinematography are handled.

 

Ballerino (2018)
In short
Unlike Billy Elliot, Ballerino is a short film about a boy who dances, but is passionate about soccer.
1.6
Our rating

Maicol Jecson (2014)

Maicol Jecson posterToday’s Italian cinema has shifted its focus from harsh melodramas and mafia themed crime films to crowd-pleasers such as intelligent yet entertaining comedy flicks. In 2014, a year after the release of Gennaro Nunziante‘s comedy Sole a Catinelle (Sun in Buckets), a new film with an equally witty title graced the screens: Maicol Jecson.

This time the story is narrated by its edgy young protagonist Andrea (Niccolo Gentili), a 16-year-old teenager with raging hormones and one purpose in mind — losing his virginity to his girlfriend, Eva.  The small hurdles on the way are being addressed one by one – parents depart on vacation, and Andreas comes up with a plan to skip the summer camp he and his younger brother Tommaso (Tommaso Neri, already seen in the 2012 short film I KILLER ) are to attend.

Yet, “Life is what happens to you while you’re busy making other plans” — so things don’t go as smoothly as expected. The little brother decides to stay home, and there is no way to get rid of him.  Tommaso is an adorable kid with one huge obsession – Michael Jackson. His admiration of Michael is so immense that he wears a colourful mask just like Michael’s kids, and he’s constantly singing and dancing.

Fun and original plot
Fun and original plot

After all of Andrea’s friends refuse to babysit Tomasso, he invents a game of “Granddads”:  leaving the little kid with the elderly inhabitants of a nearby retirement home. But this plan goes to hell as well, and Tommaso comes home with Cesare (Remo Girone), an elderly gentleman (with dementia) who genuinely believes himself the grandfather of the boys. The adventure has just begun …

The film’s most remarkable feature is its excellent, bizarre and original story in which stereotypes are used only for comic relief. The film brilliantly intertwines road movies and comedies elements without sacrificing the motifs we are used to seeing in Coming-of-Age narratives, such as the focus on love, friendship, and discovering what really matters in life.

Maicol Jecson scene

The Michael Jackson character and music serve as a leitmotif (from which the film gets its title) — making the story feel innovative and remarkably refreshing. Most of the film’s characterizations rely on appearance rather than dialogue, but with such adorable and funky characters. That’s a winning strategy by the film’s two directors: Enrico Audenino and Francesco Calabrese.

Freeze frames and voice-overs are the techniques most frequently utilized during the film`s duration, and they both fit in the overall theme of the film, which is undoubtedly Coming-of-Age but with a funky twist. It’s not just growing up experiences; the intergenerational friendship (explored in other Rite-of-Passage comedies such as Theodore Melfi’s 2014 film, St. Vincent or the 2008 film Is Anybody There?) is also essential for the film`s narrative, making it much more enjoyable than American Pie (to name a potential American counterpart).

Tommaso ( Tommaso Neri) and his brother Andrea (Vittorio Gianotti)
Tommaso ( Tommaso Neri) and his brother Andrea (Vittorio Gianotti)

The film’s protagonists are quite eccentric and, although Andrea narrates the story, it’s the little Michael Jackson fanatic, Tommaso, who is always in the middle of the action. Tommaso Neri does a great job attaining the sympathy of the viewers in his role.

One of the best Indie flicks I have seen of late, Maicol Jecson exceeded my expectations and earned a high recommendation to the readers of theskykid.com.

Official trailer

Maicol Jecson (2014)
In short
A Coming-of-Age wonderful, bizarre and original story that is one of the best Indie flicks I have seen/reviewed of late. Highly recommended!
Character/Acting
Score/Soundtrack
Cinematography
Storyline/Screenplay
Production
Direction
Reader Rating0 Votes
4.5
Our rating
Get the DVD

Of Love and Lies

Poster for the movie "Of Love and Lies"
© 2019 The Film − All right reserved.

Of Love and Lies (2019)

A Belgian film, based on a story adapted from a Spanish graphic novel (Dream Team by Mario Torrecillas and Artur Laperla), Of Love and Lies (original title:  Fourmi), is an intriguing sports-themed Coming-of-Age film with a strong emphasis on a father-son relationship.

In it, Théo is a 12-year-old boy with an unyielding passion for soccer. He is a talented player, a real prodigy behind the ball, so it doesn’t surprise when his coach reveals that a talent scout of the English premium league club Arsenal is coming to take a look at the young boy’s play. The news excites Théo’s father, Laurent, who has lost his track in life, falling into a self-destructive spiral of alcoholism and unemployment after a divorce that has left him with only rare chances to watch his son’s play.

Theo and his father ( Maleaume Paquin and François Damiens)
Theo and his father ( Maleaume Paquin and François Damiens)

When the talent scout finally shows up, Laurent is overwhelmed with excitement. Theo sees a spark of hope and redemption rekindled in his father that he had not seen for a long time. Unfortunately, despite his skills behind the ball, the boy is informed that his short height makes it impossible to be selected to train at Arsenal. Not wanting to disappoint his father, Théo decides to make up a lie and pretend that he was selected. A seemingly harmless lie, but one that would lead to unintended and dire consequences.

Maleaume Paquin and Cassiopée Mayance

Of Love and Lies is not the first Coming-of-Age film in which the story revolves around soccer. The father-son relationship is not so different than that explored in the Belgian 2005 film Buitenspel (also known as Gilles). Yet, the story highlights the dramatic aspect of growing up – unlike the light-hearted comedy approach in Kicking And Screaming (2005). The score and cinematography enhance the narrative but do not call attention to themselves, as is the case with the German flick Teufelskicker (2010). In Love and Lies, soccer has more of a backdrop role, and it is the characters and their story that capture one’s attention.

One could not help but notice a few motifs that frequently appear in Coming-of-Age narratives, such as dysfunctional families, separated parents, a father who has issues with alcohol and a father-son relationship.

Maleaume Paquin as Theo in Fourmi (2019)
Maleaume Paquin as Théo in Fourmi (2019)

The film’s real highlight is the excellent casting and especially the heartfelt performance of Maleaume Paquin as the young Théo. Observing his expressive and nuanced performance on screen, one could sense his character’s passion for sport and the love and affection he feels towards his father (portrayed equally well by François Damiens). In supporting roles, Pierre Gommé as Théo’ s techie friend Max and Cassiopée Mayance as his best friend Romane, also deserve mention.

Of Love and Lies is a feel-good family film that is guaranteed to inspire and touch viewers of all ages.

Of Love and Lies Trailer

[imdb]https://www.imdb.com/title/tt9767556/reference[/imdb]

Of Love and Lies (2019)
In short
Of Love and Lies is a feel-good family film that is guaranteed to inspire and touch viewers of all ages.
Character/Acting
Score/Soundtrack
Cinematography
Storyline/Screenplay
Production
Direction
Reader Rating1 Vote
4
Our rating
Get the DVD at Amazon.com

Introducing Jensen Gering

When you first catch sight of singer Jensen Gering, you could be confused for a second and wonder if you have come across a hybrid of the adorable 1990s Hanson boys and a young Justin Bieber.

He has wavy blonde hair that flops over his eyes and a million-dollar smile. At 12 years old, his modeling career is already a decade underway, and he has collaborated with operations as iconic as Old Navy and Popsugar. Still, he has set his sights on a more artistic future.

http://www.youtube.com/watch?v=lpfmDqsrII8

His Youtube channel is on fire. With 144,000 subscribers for his mixture of sweet covers and original songs, this singer is on track to take off in a big way. His Instagram, with another cool 117k followers, highlights the social and environmental conscience that the young Californian brings with him to his new musical career. He has supported the Heal the Bay initiative to reduce plastic pollution on the California coast and promote Earth day on his accounts. For Gen Z, these are big, important issues for youth today, and the model turned singer has his finger right on the pulse.

Jensen Gering
Jensen Gering

On his Youtube channel, Jensen mostly sings and plays the guitar, accompanying himself. The effect is a clean vocal melody and a harmonious, grounded guitar backing. He varies between playing a sage green electric Fender Strat guitar and a trusty acoustic depending on the track, but for his own material, he mainly sticks to the down-to-earth acoustic sounds. His vocal range is awe-inspiring for a singer his age, and you can lose yourself tapping along to the beat of his own creation, Beautiful to Me.

http://www.youtube.com/watch?v=FKg0NySX2QI

His skills as an all-around musician and a singer are on display, too, especially with his original songs nEwW kId and Rewind. He is a bit of a breath of fresh air, but his music has just enough retro about it to make it feel immediately, comfortably familiar. There is also the feeling that even though he is talented, Jensen is not taking himself too seriously. He puts out feel-good tracks like his cover of Rockin’ Around the Christmas Tree and Coldplay‘s Yellow and ends his videos with a grin and a breezy ‘Peace Out.’ Every inch the lovable beach bum in the making.

Jensen Gering’s online presence can’t help but make you smile. His TikTok snippet of him sitting in the sun doing some deft fingerpicking of the Beatles classic Here Comes the Sun is a bright spot in the internet maze. If you’re having a bad day, then there is no better medicine than his cover of Coffee by Beabadoobee.

He might look like a model, but it is clear that this is a singer and a musician with a lot more to deliver. Watch this space for an eco-conscious beach boy, built for 2021 and beyond. We can’t wait to see what’s next from Jensen Gering, a young new singer and model with an eye on the earth’s future and a nod to the best bits of the past.

Written by: AMorby

Cyanide

Poster for the movie "Cyanide"
© 2013 Item 7 − All right reserved.

Cyanide (2013)

Cyanide 2013Father-son relationships frequently appear in Coming-of-Age cinema, but rarely in a positive light (there are some notable exceptions like the 1996 Portuguese drama Adeus, Pai).

In Cyanide (original title: Cyanure), thirteen-year-old Achille (Alexandre Etzlinger) is anxiously awaiting his father’s return from prison. He doesn’t know him well – for his dad was already serving his sentence when the boy was born. With his vivid imagination, Achille has created an idealized and heroic father figure of a free-spirited criminal.

Unfortunately for the young hero, his mother has committed the ultimate betrayal by having found another partner – a down-to-earth man and thus incredibly lame in the boy’s eyes. When the biological father is finally released, Achille tries his best to reconcile his parents, which sets him on a collision course with the harsh realities of life.

A scene from Cyanide

Cyanide has the atmosphere of real European drama (or a Canadian one) as it is a co-production between Canada and Switzerland. Its story, told from the young protagonist’s perspective, does not provide much excitement, nor does it invite one to identify with the characters. Yet, it still engages the audience with the true-to-life sense of dramatism achieved by telling a Coming-of-Age life story in an intriguing and non-manipulative manner.

Young hero's multi-colored eyes
Young hero’s multi-coloured eyes

The animated footage portraying Achille’s childhood fantasies (similar to those in the Danish 2010 flick, My Best Enemy), and the intriguing close-up of the young hero’s multi-coloured eyes, are cinematographic techniques enhancing the story. To them, we can add the few beautifully shot scenes sporadically dispersed throughout the film – portraying emotional moments of angst and despair or the loveliness of young love.

The film’s seriousness won’t appeal to all viewers. For example, even I enjoyed Guido Lombardi’s Stolen Days (given as an example because of some similarities in the plot) more because of its entwined, nonlinear dramatic structure compared to the relatively straight-forward linear approach of Cyanide.

Trailer

http://youtu.be/WNNWbZVTRUE

[imdb]https://www.imdb.com/title/tt2325611/reference[/imdb]

Cyanide (2013)
In short
A boy anxiously awaits his father’s return from prison after creating and building up an idealized and heroic father-figure.
Character/Acting
Score/Soundtrack
Cinematography
Storyline/Screenplay
Production
Direction
Reader Rating0 Votes
3.4
Our rating
Get the DVD at Amazon.com

Escape Into The Wild / L’Echappee sauvage (2017)

In his  2017 short film Escape Into The Wild (Original title: L’Echappee Sauvage), Philippe Reypens invites us into a nostalgia-soaked visual journey into one’s childhood by telling the story of a reserved private school pupil lured into a world of adventurous joy and friendly compassion by two mischievous kids. 

The film aesthetic is a treasure to behold – its scenes are shot in a manner emphasizing the innocence and beauty of youth and the world surrounding us. Casting Henri Vander Maren, Theodore Cousin, and  Elsa Devriendt in the lead roles is a great success as their charisma, beauty, and natural talent shine through in every scene. 

Watch the entire film. 

http://youtu.be/TVCnTX99I1A

Visual Storytelling

Utilizing extreme close-ups on the actor’s faces and slow-motion while taking full advantage of the natural light – the filmmakers achieved visual storytelling fully capable of touching one’s heart. 

As change is present in the film’s narrative, it belongs to the Coming-of-Age genre. Seduction, shading one’s inhibitions in the pursuit of freedom, for new overpowering sensations such as friendship and possibly love are the narrative’s central themes.

The film does not feature dialogue, but the sound of nature, accompanied by a romantic piano score and the song Boy Lilikoi by Jonsi, flawlessly completes its poetic, dreamlike atmosphere.

Visual poetry is a great term that best describes Escape Into The Wild. A real treat to all senses, it earns my highest recommendation.

 

Escape Into The Wild / L’Echappee sauvage (2017)
In short
A nostalgia-soaked visual journey into one's childhood, Escape Into The Wild is shot in a manner emphasizing the innocence and beauty of youth and the world surrounding us.
Character/Acting
Score/Soundtrack
Cinematography
Storyline/Screenplay
Production
Production
Reader Rating4 Votes
4.8
Our rating
More about the film

The German Lesson

Poster for the movie ""
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