De Boskampi’s/Little Gangster (2015)

The best scenes in the 2015 Dutch film Little Gangster (Original title: De Boskampi’s) are at the beginning and the end. They contain vibrant images, a wild musical score and funny original editing — enough to convince the viewer that an original twist of the all too familiar anti-bullying theme will make the film truly enjoyable to watch.

But alas. For a film with a duration a little short of two hours – most of the content in between is cliché-ridden and silly.

The silly part comes from the desire of the filmmakers to make the story suitable for the youngest audiences. But, in this day and age, I’m convinced that the key to a well done film lies in originality, as proven by another film dealing with bullying, My Best Enemy (Original title: Min bedste fjende) (Denmark, 2010).

Trailer

_{Little Gangster screened at the Sundance Film Festival in 2016 and is now available on DVD and Netflix}

While most of the film’s content does not impress, the few good scenes, filled with witty humor and the message of reinventing oneself, friendship and determination, do come across well — in a non-preachy, family-friendly manner. That, despite the stereotypical characters and their amplified quirkiness (or may be because of it), is used as comedy relief.

Scene from little gangster — Scene from Little Gangster

The plot of the film will feel quite familiar to fans of the Coming-of-Age genre. Rikkie Boskamp (Thor Braun) is a twelve year old boy who is fed up with being bullied all the time. His father, Paul Boskamp (Henry van Loon), works as an accountant and, in Rikkie’s eyes, is as far from a role model as one can get. In fact, if anything, his “dorky” appeal influences Rikkie’s own image at school.

The teen then decides to take things into his own hands. His father gets a job promotion which necessitates them moving to a new town. Rikkie uses the move to a new city to reinvent himself… into the son of an Italian Mafia boss, Paolo Boskampi.

The biggest issue I have with the film lies in its lost potential. For example, if it had managed to retain throughout the picture the appeal of the visual effects and the editing of the 2010 Norwegian film by Arild Andresen, The Liverpool Goalie, all the imperfections of the story line could have been easily forgiven. But, sadly, that’s not the case and the film delivers a “dumbed down” kid’s story with few good moments – nothing more.

[imdb]https://www.imdb.com/title/tt3845822/reference[/imdb]

De Boskampi’s/Little Gangster (2015)

Conclusion

A twelve year old boy, fed up with being bullied all the time, uses his family's move to a new city to reinvent himself: into the son of a Mafia chieftan.

3.2

Our Rating

Get the DVD

Amazon.com

Markus and Diana (1996)

If you are looking for an entertaining comedy with strong Coming-of-Age motifs, the Norwegian Markus and Diana (original title: Markus og Diana) is an excellent option.

Based upon Klaus Hagerup‘s novel Markus and Diana: The Light from Sirius and directed by Svein Scharffenberg, the film tells the story of the thirteen year old blond-haired Markus. The low stature and relative shyness of the young teen turns him into a preferred target for the jokes of his schoolmates who often compare him to a little mouse. Having an overprotective father who feels obligated to check on his son every few hours doesn’t help Marcus’s social status either.

Marcus’s hobby is to collect autographs from famous people and when he finds out about Diana Mortensen, who is a gorgeous Norwegian actress with a successful career in Hollywood, the boy doesn’t hesitate to write her a letter. Instead of a simple autograph request, the boy decides to introduce himself as a wealthy millionaire. To his surprise, he receives a personal reply and soon a friendship ensues. Marcus could not be happier until he learns that Diana Mortensen is planning to return to Norway and she is just dying to meet him in person.

Markus and his best friend Sigmund (Herman Bernhoft)

The film’s exposition is unremarkable, while the bullying issues that the young Norwegian boy faces may lead to one’s belief that the story is clichéd. Yet, twenty minutes into the film, the story shapes into a humorous adventure, shaking off all clichés in favor of original (if bittersweet) development. The focus shifts onto issues such as self-esteem and the inner emotional lives of unpopular kids and the film manages to deliver a real message without turning into preachy moralistic tale.

The film’s cinematography and score do not call attention to themselves, placing the film on par with many made for TV productions aimed at young audiences. Yet the tasteful humor and good performance of Robert Reierskog as Marcus ensures that older viewers will be equally engaged with his character and entertained by the story. A bonus for them is the references to the 1936 drama Little Lord Fauntleroy, which clearly influenced both the writer and director of this Norwegian movie.

While I would not consider Markus and Diana as a film with a significant re-watch value or one that is memorable, it is fresh and entertaining and I don’t hesitate to recommend it to audiences looking to brighten their days.

[imdb]https://www.imdb.com/title/tt0129225/reference[/imdb]

Markus and Diana (1996)

Conclusion

An entertaining comedy with strong Coming-of-Age motifs.

3.3

Our Rating

Buy or rent the DVD

CVMC

Book review: Scar Island by Dan Gemeinhart

Twelve-year-old Jonathan Grisby is in a big trouble. Sentenced for a horrid crime, he is on his way to a reformatory school. And not just an ordinary one, but an ancient crumbling dark and foul place — an old crumbling fortress located on an isolated island. The school for young boys (or perhaps better said: “prison”) is run by an evil man who calls himself “The Admiral” and, together with his equally crooked staff, abuses his youthful charges on a daily basis with the excuse that he’s trying to reform them for the better and save their souls from evil. When a freak accident takes the lives of all the adult staff, the boys find themselves alone on the island. Yet their newfound freedom brings unexpected danger.

Author Dan Gemeinhart manages to maintain the suspense level in his novel by withholding pieces of important information, such as the nature of the crime that sent Jonathan Grisby to the Slabhenge Reformatory School. We witness the guilt ridden sorrow of the troubled boy, and can’t help but wonder if he will ever be able to find redemption.

It can be a bit challenging to place the action in the right time period. Because of the story’s nature, one may initially feel it is set in the Victorian Age, such as Dicken’s Oliver Twist, or perhaps in the early 50’s like William Golding‘s Lord of the Flies. Yet, at other times, the story feels quite contemporary.

Book Trailer

But the inconsistency of time does not ruin the reader’s experience, mainly because one develops a true interest in the characters. The young Jonathan Grisby is an intriguing main protagonist and, as his character develops, one begins to understand his motives and even perhaps begin to admire him — despite his shortcomings. Unfortunately, not all the characters in the novel are as well developed. An exception is another young boy named Colin, “a sneaky, sneaky thief” as he calls himself, with whom many readers will greatly sympathize, especially if one chooses the audio version of the novel. Hearing Colin’s lisp becomes a defining trait of his character, in quite an adorable manner.

Scar Island is a dark and compelling Coming-of-Age adventure and I really enjoyed it. Clearly inspired by Lord of the Flies, its narrative is fast paced and engaging, while the way in which the settings are described really helps one to feel the atmosphere of this God forsaken prison. Recommended!

Who Are The Superheroes? (2012)

We have all asked ourselves who the superheroes are in this world. A plausible answer is to be found in Mathieu Lalande‘s 2012 short film: Who Are The Superheroes?

A simple yet sweet and heartwarming story about first love, the film relates the story of twelve-year-old Melvin (Oscar Le Potollec Fiorani) who has to gather the strength and courage of his favorite comic’s superheroes to confess his sympathy towards his beautiful classmate Sarah (Emma Ninucci).

The funny comic’s stylish montages and split screen cinematography delivers a unique feel of aesthetics bringing dynacism to the story. As result Mathieu Lalande’s film manages to both engage and entertain its audience.

Both Oscar Le Potollec Fiorani and Emma Ninucci deliver great performances characterized by adorable smiles and a very credible portrayal of their characters, so much so that associating with their feelings comes naturally and many will remember with nostalgia a similar event in their own lives.

Trailer

The entire short film with English subtitles is available at the web page of its distributing company Buffalocorp.

Who Are The Superheroes? (2012)

Conclusion

A simple yet sweet and heartwarming story about first love.

5

Our Rating

Torn (2003)/Zerwany

Polish cinema has good traditions in the Coming-of-Age genre, which is probably why I had high expectations of Jacek Filipiak’s 2003 film Torn (Original title: Zerwany). Starring Krzysztof Ciupa in the role of ten-year-old Mateusz, Torn focuses on the hardships and tribulations that the young boy experiences circulating between foster home, orphanages, and finally a correctional facility where, as one of the youngest pupils, he goes through the real school of life. Despite his traumatic experiences, intimidation and humiliations, Mateusz does not give up his great dream of becoming a sports commentator.

The Coming-of-Age experienced by the film’s protagonist can be followed throughout the story, but inconsistent editing and continuity issues prevent the viewer from investing strong emotions or in developing a connection with him. This is hardly the fault of Krzysztof Ciupa‘s acting performance. He manages to portray a wide array of emotions ranging from painful despair to strong determination.

The film’s cinematography and its overall atmosphere is not on par with the visual masterpieces of the Polish Coming-of-Age cinema such as Dorota Kedzierzawska‘s Jestem (I am) and Jutro bedzie lepiej (Tomorrow Will Be Better). Yet the visual design is comparable with that of similarly themed movies such as the 2011 Hungarian film Abandoned (Torzók) and the Russian movie Lessons at the End of Spring (Uroki v kontse vesny). Unlike the similarly themed films, struggling to survive in a world of violence and neglect while preserving one’s dignity is not an uncommon theme in the Coming-of-Age cinema. Jacek Filipiak falls short in making a point or even striking an emotional chord in the hearts of the film’s viewers which, given the subject matter, is a significant failure.

Aside from Krzysztof Ciupa‘s performance, the film score (composed by Waldemar Wróblewski) is one of its few redeeming qualities as, while it did not call much attention to itself, it did help to establish the mood of the scenes.

http://youtu.be/PvrQY7d9Pkg

My expectations for the film were not met. Given my strong preference for powerful dramas, I am disappointed that the obvious potential of the plot is never fully realized.

Torn (2003)/Zerwany

Conclusion

Film protagonist Krzysztof Ciupa's acting performance and the movie's score are the strong points of the Polish film "Torn".

2.8

Our Rating

Introducing Rutger Garekht

Update : 20/04/2018 – Rutger Garekht wins The Voice Kids Russia !

Youth talent aficionados are well aware of the music talent show for children, from 8 to 14 years, called The Voice Kids — and its many international variants. Whether one approves the reality formats or not, they do offer a chance for kids to display their talents to a wilder audience. Now, thanks to the Internet and social media, that audience is often an international one.

We have spotted many performers through the years thanks to those formats and it’s time for us to present yet another amazing performer – twelve year old Rutger Garekht(Рутгер Гарехт), participant in the 2018 edition of Golos Deti (the Russian version of The Voice Kids).

Coming from the city of Orenburg (southwest Russia, near the border with Kazakhstan) Rutger (a German name after his father who is from Germany) blew the jury away with his amazing rendition of the Russian song: I recognize the sweet on the walk…

Rutger delivers his performance barefooted, as to better feel the songs’ moods and express them. He’s achieved great success, turning his act into a whole musical spectacle that awes and is fully capable of capturing a viewer’s attention even if one does not understand the language in which the song is being performed.

Coming from a family with an affinity for music (Rutger‘s two older sisters both have a musical education and play violin), Rutger started dancing and performing from the tender age of five years old, combining his arts education with aerobic and gymnastics classes. He practices with the theater of music and dance “The Nutcracker”(official web site), which annually releases a new musical piece starring their youthful charges – boys and girls of all ages. One of the theater’s vocal coaches, Liudmila Galputdinova, outlines the importance of both vocal abilities and charisma for a performer. He says it’s evident, that thanks to his talent and hard work, Rutger has the ability to transmit the emotions and the mood of the songs to the audience in an immaculate manner.

In addition to his rendition at The Voice Kids Russia, one can find other of Rutger‘s performances on YouTube — such as his cover of the song The Officers (Офицеры), which also impresses with his ability to project his voice using the intonation and accent like artists with a lifetime of stage experience. By visiting his YouTube channel and searching for more clips, one can follow up on the development of his talent – a rewarding experience!

We have been introducing youth talents for more than a decade at TheSkyKid.com and feel fortunate that we are able to share with you the performances of this gifted Russian youth. Inspirational and moving – his performances are well worth beholding.

Just Charlie (2017)

Rebekah Fortune’s 2017 intense Coming-of-Age family drama, Just Charlie, tells the story of Charlie (Harry Gilby), a promising young football player who is suffering from an identity crisis. Charlie feels uncomfortable, even trapped in his own body, and is torn between wanting to live up to everyone’s expectations (especially those of his father) and just being who he feels he is – a female.

Gender identity is a topic that has been addressed more than once in the Coming-of-Age genre, frequently portraying tomboyish girls like in Céline Sciamma’s Tomboy and Chris Bould’s 1996 My Friend Joe. On the other side of the spectrum lies such films as Ready? OK, But I Am A Cheerleader and, the most popular one, Alain Berliner’s 1997 colorful and poetic My Life in Pink (Ma Vie en Rose). Just Charlie is somewhat similar to Tomboy (reversed) yet, unlike the abstractionism and quirkiness that often seem to characterize male characters that feel like female, it does its storytelling in much blunter terms – trying to be as accurate as possible to “real life.”

Admittedly, I do not have firsthand experience – so I could only speculate as to the accuracy of the story regarding what would actually have occurred (meaning beyond the film’s storyline). Yet I (and I assume many of you who are reading this review) know what it feels like to feel different, as one of the film protagonists put it “This f**king planet. It is a f**king horrible place to be if you are different!” In the end, one finds a solution – and it may or may not be the right one — a compromise or a lack of one, being who you are or living with a mask…

Much more than just a character study, which one would expect from most Coming-of-Age films, Just Charlie explores some distinct perspectives and reactions — resulting in a portrayal of our society as a whole. No one says life should be easy – and it usually is not. Rebekah Fortune causes viewers of her film — to not only witness the struggle of the film’s protagonists — but to pause and reflect on it.

While not all actors in the movie are entirely convincing, the performance of Harry Gilby as Charlie is nothing short of phenomenal. In a demanding role requiring a tremendous focus of emotions and subtle nuances, Gilby’s acting results in a character that one is guaranteed to identify with or at least deeply care for.

With delicate storytelling, terrific acting, and a first-class cinematic execution – Just Charlie is a Coming-of-Age film guaranteed to enrich its viewers.

http://www.imdb.com/title/tt4838248/reference

Just Charlie (2017)

Summary

With a delicate storytelling, wonderful acting, and a first-class cinematic execution – a Coming-of-Age film guaranteed to enrich its viewers

4.6

Our rating

Watch the film on Amazon

Just Charlie

Star Boys (2017)

If one decides to watch a Coming-of-Age film, a movie from the Nordic countries usually guarantees the story will portray that important period in anyone’s life as realistically as possible. The 2017 movie Star Boys (Original title: Kaiken se kestää) is no exception and juxtaposes the peculiarities of the adult world with the inexperience/innocence of childhood.

Set in a remote conservative town in northern Finland, the film’s story is told through the eyes of two Finnish boys forced to observe the rather shameful behavior of their parents during the years of urbanization and the sexual revolution at the beginning of the 1970s.

For the most part, Star Boys plays like a family drama. However, it gets disturbing at times, and the viewer witnesses the shock (and even disgust) of 13-year-old Vesa (Vili Saarela) and his best friend Kaarlo (Olavi Angervo) towards the intrigues, obsessions, and overall recklessness of the adults who surround them.

There are no surprising plot twists or overly dramatic sequences. Instead, the filmmakers have opted to tell the story by approaching adult problems from a child’s point of view. This is not an unheard of methodology. For example this sincere, true-to-life approach to storytelling can also be observed in the 2013 Coming-of-Age Finnish movie, Above Dark Waters. Such an approach offers a duality to the film, allowing it to be equally appreciated by people who are after a serious family drama and those looking for a Coming-of-Age narrative.

Rebellion, friendship, confusion and the inevitable loss of one’s innocence – all motifs one expects to see in a rite-of-passage film — are present in Star Boys as well. Vili Saarela and Olavi Angervo do a good job portraying the young leads of the film and it was interesting to observe how they matured as a result of their experiences.

Trailer

The film’s cinematography impresses, as aesthetically the film is quite pleasant. One can’t help but notice the allegory of the usage of such images as the flowing of water to symbolize inevitable change. Yet, in the end, while the story manages to capture one’s attention, I wouldn’t go as far as to say that it is able to wholly engage. As a critique of adult society, the story of Star Boys serves as a reminder that one’s actions and life choices are observed, yet thankfully not necessarily mirrored, by our offspring.

http://www.imdb.com/title/tt5716438/

Star Boys (2017)

Summary

Rebellion, friendship, confusion and the inevitable loss of one's innocence – all motifs one expects to see in a rite-of-passage film -- are present in Star Boys.

3.3

Our rating

The Strange Ones (2017)

A few years ago (2011), I stumbled upon a short film with a peculiar title, The Strange Ones (Deux inconnus). It piqued my interest (as mentioned in that review published on this site), but unfortunately, its 14 minutes failed to engage. Converted into a full feature film in 2017, the extended time for the story and character development made a huge difference.

The central premise remains the same: a young man and boy make their way across rural America. They encounter various characters and, through their interaction with them and each other, the viewer gets small snippets of information hinting that not everything is what it appears to be at first glance.

Alex Pettyfer and James Freedson-Jackson in The Strange Ones (2017) — James Freedson-Jackson and Alex Pettyfer in The Strange Ones (2017)

While the action develops at a relatively slow pace, the storytelling results in a viewing experience similar to solving a puzzle, relying on clues to construct the characters’ backgrounds and understand the motives behind their actions and behaviour. The extended time provided in the full-length version allows for the complexity of both story and characters to be fully realized, which, unlike with the short film format, engages the viewer to a much greater extent.

The resulting intriguing mix of drama, thriller, and mystery includes significant Coming-of-Age overtones, thanks primarily to the stellar performance of actor James Freedson Jackson in the role of the young teenage boy — who is essentially the main protagonist of the film. His excellent performance was authentic in the 2015 American movie Cop Car, but the plot complexity of The Strange Ones allowed him to extend his potential fully. As a result, his character appears quietly vulnerable yet determined when the need arises.

The Strange Ones Trailer

Aside from the acting, the lack of definite judgments and the fact that the story and characters remain ambiguous enough to offer the viewer room for interpretations and personal reflection contribute greatly to the movie’s overall appeal. This is evident even if, at the ending (the real one happened some moments before the one at the end of the film — at least according to me), the directors went ahead and offered an alternative finale — avoiding clichés and stereotypes as far as the narrative is concerned.

The dream-like cinematography features some stunning lingering shots of nature, the main characters and the environment, which gives the film its unique visual atmosphere, further enhanced by the frequent usage of reappearing visual motifs.

Unlike the short feature on which the film is based, Christopher Radcliff and Lauren Wolkstein turned their full feature into an engaging film with the correct dose of controversy and ambiguity. Offering a challenging enigma, it’s well worth your time. The Strange Ones (2017) earns a high recommendation from me.

http://www.imdb.com/title/tt6014904/reference

The Strange Ones (2017)

Summary

Unlike the short feature film on which this film is based, this full length feature version is an engaging movie with the right dose of controversy and ambiguity. Highly recommended!

4.8

Our rating

The Girl Next Door (2007)

Adapted from a book by Jack Ketchum, The Girl Next Door is one the harshest films that I have ever seen.

Although the storyline undoubtedly features a Coming-of-Age narrative, the events that unfold on screen are so horrifically disturbing, that alongside sympathizing with the lead male protagonist (Daniel Manche) through whose eyes the story is being told, one is almost guaranteed to constantly feel a sense of anger, anguish and quite possibly disgust.

This makes the film tough to watch and unsuitable for very young audiences.

David Moran (Daniel Manche) trough whose eyes the story is told — David Moran (Daniel Manche) through whose eyes the story is told

It disturbs me that I was originally thinking of focusing on Daniel Manche’s unique voice in my review, as the first scenes had me convinced that the film I was about to see would feature a stereotypical narrative about first love, filled with silly awkward moments. I could have not been more wrong – and though the story turned out to be disturbing (Stephen King called the film “…This is the Dark Side of the Moon version of Stand by Me“), no one is able to dispute its originality or its ability to engage the viewer. The only film that comes close is Bill Paxton’s 2001 film Frailty as, despite the differences in the narrative, both are truly impactful and share a similar director’s approach and overall cinematographic style.

Some viewers may be shocked by the lack of an adequate reaction to what they see from many of the film’s protagonists. This is particularly true of Daniel Manche’s character, but when one considers his young age and apparent innocence (which was robbed from him as result of the things he witnessed), his behavior starts making sense. The experiences he has as a boy greatly influence the person he becomes as a man as is evidenced from the film’s beginning to its finale.

While not a typical first-love Coming-of-Age film, The Girl Next Door is a film about love – albeit a tragic one. People say true love is always tragic – which I can vouch for based on my real-life experiences (as unorthodox as they might be). The Girl Next Door’s narrative is beautiful, yet it is not easy to focus on higher ideals considering the excessive violence and cruelty on screen. The filmmakers have not spared viewers, and many gruesome details are there to observe. Knowing that the film is based on a true story (Sylvia Likens) and that it’s not implausible that similar events are happening behind closed doors in an otherwise idyllically looking neighborhood makes the story even more stomach-turning.

I don’t hesitate to recommend the film, as disturbing as it is. Just bear in mind its R rating.

http://www.imdb.com/title/tt0830558/reference

The Girl Next Door (2007)

Summary

While not a typical first-love Coming-of-Age film, The Girl Next Door is a film about love – albeit a tragic one.

5

Our rating

Amazon

DVD

Together (2009)

TOGETHER, (aka SAMMEN), from left: Fridtjov Saheim, Evy Kasseth Rosten, Odin Waage, 2009. ©Sandrew Metronome

The best films are the ones that make their audiences care deeply about the protagonists and their fate. To achieve that, not only must the story be dramatic, but the actors also have to do their job convincingly enough so that one can stop being a passive observer, experiencing the characters’ sorrows and joys. All that is true of the 2009 Norwegian Coming-of-Age family drama, Together (Original title: Sammen).

The film’s plot and its development doesn’t offer much in terms of originality: a family is suddenly torn apart from a horrific disaster which takes away the life of one parent and leaves the surviving one and the teenage son trying to piece together their shattered lives.

Together is an archetypal Coming-of-Age narrative with a strong focus on grief and post-traumatic disorder. In many aspects, its story line follows the same pattern such as films like the Dutch flicks Life According to Nino and Finn, or the American drama The Stone Boy. Yet even when one knows what to expect, the portrayal of a young boy struggling with his own pain, and the weakness of the remaining parent who is ready to give up life, makes it impossible for one not to become emotionally involved with the story.

Odin Waage and Fridtjov Såheim in Together (2009)

Much of this involvement comes as the result of the convincing and moving portrayal of Rojer (the father played by Fridtjov Såheim) and his twelve-year-old son Paul (Odin Waage). The improvisation is almost non-existent, yet the direction is capable enough of stirring the audience’s emotions – at times overplaying the melodramatic card. Odin Waage’s understanding of his character and the difficult situations in which he finds himself, really shows in the convincing way he portrays Paul’s confusion, sadness and anger. As this role in Together was the film debut for the young actor, it’s evident that he is more than able to follow direction while making the audience care about his character.

TOGETHER, (aka SAMMEN), Odin Waage (center), 2009. ©Sandrew Metronome Norge — TOGETHER, (aka SAMMEN), Odin Waage (center), 2009. ©Sandrew Metronome

When it comes to cinematography, I have no major complains other than the excess of what appeared to be hand-held camera footage. Yes, it boosts the realism a bit, but often I found myself wishing that the camera was more stable — leaving the tension to arise on its own. Yet, while it takes a while for the audience to become emotionally invested with the story, once when this happens the film is fully capable of holding its attention.

An open-ended finale usually comes as an unpleasant surprise in most films, yet in Together‘s case, many viewers are likely to feel as emotionally exhausted as the film’s protagonists. Whether that’s a desired effect, from watching/experiencing a story, is a subjective thing. It did motivate me to start writing this review, hoping that it may help people discover the film.

Norwegian Trailer

The DVD features English subtitles and is available at Amazon UK.

http://www.imdb.com/title/tt1324056/combined

Together (2009)

Summary

A family is suddenly torn apart from a horrific disaster which takes away the life of one parent and leaves the surviving one and the teenage son trying to piece together their shattered lives.

3.7

Our rating

Where to find it

DVD at Amazon.UK

The Other (1972)

I am excited about reviewing the 1972 film by Robert Mulligan – The Other. Some people are not fond of films released more than ten years ago. In this case, I can assure you that if you didn’t know the year it was made in advance of watching the film — with its excellent camerawork and good cinematography — you wouldn’t be able to date this flick.

Continue

The Other (1972)

Summary

The Other is a compelling, shocking and entertaining film that won't leave anyone indifferent. Highly recommended!

Character/Acting

Score/Soundtrack

Cinematography

Storyline/Screenplay

Production

Direction

Reader Rating1 Vote

4.7

Our rating

TheSkyKid.com

TheSKyKid.com